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WHERE THE PAST BEGINS

A WRITER'S MEMOIR

A composite portrait that should appeal to the author’s fans.

The bestselling author reflects on family, reading, writing, and language in a memoir characterized by “free-form spontaneity.”

After Tan published her last novel (The Valley of Amazement, 2013, etc.), her editor suggested that she compile a volume drawn from some of the thousands of emails she sent him during the time she wrote the book. It would be “easy to pull together,” he said, as well as “compelling” and “insightful.” Fortunately, Tan rejected that idea, although she does include one chapter containing a selection of emails between them, some of which offer glimpses of her writing process. The rest of her uneven memoir consists of “a potluck of topics and tone”: chapters about her response to music, the idea of genius, emotions, her own personality as “unstoppable,” learning to read, and her family. Readers of Tan’s previous fiction and nonfiction will find a familiar character: her mother, a difficult, moody woman who had an indelible influence on the author. “The main problem, as I saw it growing up,” Tan reflects, “is that she was negative in her thinking. She saw falsity in people who were nice. She saw slights in how people treated her.” Bad thoughts festered in her mind until they emerged “in an explosive threat” that blighted Tan’s life. A psychiatrist who knew her mother marveled that Tan didn’t suffer “from a disabling psychiatric disorder as an adult.” But she admits that her childhood experiences made her “intolerant of emotional manipulation.” Tan is forthcoming about various illnesses, especially her treatment for seizures with a medication that left her feeling unusually happy. When a friend suggested she stop taking the mood-altering drug, she resisted: “Whatever the medication had done to my brain, I had become protective of my new sympathetic nervous system friend.” Tan’s candid revelations make much of the book entertaining, but the slight journal entries and short pieces she calls “quirks” read like filler, and many chapters would have benefited from further editing.

A composite portrait that should appeal to the author’s fans.

Pub Date: Oct. 17, 2017

ISBN: 978-0-06-231929-6

Page Count: 400

Publisher: Ecco/HarperCollins

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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