A simplistic attempt at hope in troubled times.
Another helping of pop philosophy from the prolific writer.
“Here we are, older, scared, numb on some days, enraged on others, with even less trust than we had a year ago,” Lamott writes of such challenges as the pandemic and threats to American democracy and to the planet in general. “Where on earth do we start to get our world and joy and hope and our faith in life itself back?” In these short essays, similar in style and tone as Almost Everything, Hallelujah Anyway, Small Victories, and the author’s other works of nonfiction, she ventures some answers. Mixed in with details of her personal life, including her first marriage (at age 65) to a man who, unlike her, is not a Christian; her struggles with alcoholism; and the Sunday school classes she teaches near her California home, the book addresses such topics as forgiveness, repentance, climate change, and more. Though the book will appeal to her longtime fans, the essays are marred by observations that are trite or just plain obvious. For example: “Maturity is retaining a modicum of grace when you do not get your own way”; “Growing up is hard”; “You make the plan but you don’t plan the result.” Other statements will be open to debate—e.g., “Darkness can be so soothing when you know it won’t last forever”; “Love is being with a person wherever they are, however they are acting.” It says something about this book that its best line is a misquote of Kurt Vonnegut, who, in a 1994 Syracuse University commencement speech, said he told his grandchildren (Lamott says it was his children) when they complained about the state of the planet, “Don’t look at me, I just got here myself.” For Lamott devotees, file alongside the aforementioned books; others can take a pass.
A simplistic attempt at hope in troubled times.Pub Date: March 9, 2021
ISBN: 978-0-593-18969-6
Page Count: 224
Publisher: Riverhead
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
SEEN & HEARD
An endearing underdog story that will have readers cheering for the author from a troubled beginning to a sweet, happy end.
The comedian and actor wasn’t kidding around when he titled his memoir.
Scheer, best known for his work on The League, Black Monday, and Veep, begins with some harrowing tales of abuse from his stepfather that he balances by recognizing how they helped make him the successful father, husband, and entertainer he is today. “All the chaos and abuse were so normalized that only in the retelling do I realize just how abnormal they were,” he writes, adding that there were moments when he felt victorious, “like the time I outran a pitchfork he threw at my back.” It’s these triumphs, cut with his self-deprecating humor, that makes Scheer’s memoir so charming and uplifting, despite the often difficult subject matter of his childhood on Long Island. Given his storytelling experience as an actor and a podcaster on How Did This Get Made?—which he co-hosts with his wife, June Diane Raphael, and fellow League actor Jason Mantzoukas—the author manages to make it all entertaining. Even his story about learning that he was lactose intolerant after a serious health scare at Disney World becomes hilarious in retrospect. Scheer also writes about his love of improv, especially with the Upright Citizens Brigade; the auditioning process; and his enjoyment of movies and working at Blockbuster Video. However, the author treats his higher-profile jobs, like his regular gig on VH1’s Best Week Ever, as asides to his life with his wife and family. It’s part of the serious point Scheer wants to make, despite the humor. He chronicles his journey through abuse and into the life he dreamed of to show how he did it: through therapy, self-acceptance, and prioritizing his family.
An endearing underdog story that will have readers cheering for the author from a troubled beginning to a sweet, happy end.Pub Date: May 21, 2024
ISBN: 9780063293717
Page Count: 256
Publisher: HarperOne
Review Posted Online: March 15, 2024
Kirkus Reviews Issue: April 15, 2024
Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should...
Greene (The 33 Strategies of War, 2007, etc.) believes that genius can be learned if we pay attention and reject social conformity.
The author suggests that our emergence as a species with stereoscopic, frontal vision and sophisticated hand-eye coordination gave us an advantage over earlier humans and primates because it allowed us to contemplate a situation and ponder alternatives for action. This, along with the advantages conferred by mirror neurons, which allow us to intuit what others may be thinking, contributed to our ability to learn, pass on inventions to future generations and improve our problem-solving ability. Throughout most of human history, we were hunter-gatherers, and our brains are engineered accordingly. The author has a jaundiced view of our modern technological society, which, he writes, encourages quick, rash judgments. We fail to spend the time needed to develop thorough mastery of a subject. Greene writes that every human is “born unique,” with specific potential that we can develop if we listen to our inner voice. He offers many interesting but tendentious examples to illustrate his theory, including Einstein, Darwin, Mozart and Temple Grandin. In the case of Darwin, Greene ignores the formative intellectual influences that shaped his thought, including the discovery of geological evolution with which he was familiar before his famous voyage. The author uses Grandin's struggle to overcome autistic social handicaps as a model for the necessity for everyone to create a deceptive social mask.
Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should beware of the author's quirky, sometimes misleading brush-stroke characterizations.Pub Date: Nov. 13, 2012
ISBN: 978-0-670-02496-4
Page Count: 320
Publisher: Viking
Review Posted Online: Sept. 12, 2012
Kirkus Reviews Issue: Oct. 1, 2012
BOOK REVIEW
BOOK REVIEW
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