Desperate, devastating, and difficult to read, making it all the more necessary.
A chilling day-by-day account of living in and fleeing from Gaza in the last three months of 2023.
“Pain cannot be talked about,” writes Abu Saif, author of A Suspended Life. “It cannot be expressed or written about. It is just felt and lived.” The author was born in 1973 in a refugee camp in Gaza, under the constant watch and threat of Israeli warships and surveillance, where displacement and the refugee status was repetitive and cyclical (and still is)—a place so familiar with violence that the attacks of October 7, 2023, were not even immediately recognizable as the beginning of a war. Abu Saif’s piercing diaries are proof of significant pain, as he provides records of overnight attacks, friends and family members killed, decisions about where to find safety, and debates over whether to stay in Gaza or flee south, as directed by the Israeli leaflets dropped from the sky. While offering some historical background for the terror that has plagued the region for decades, this is primarily an account of the suffering of a man and his people, painted in the bare and bracing brush strokes of someone pushed to the edges of his humanity, weakened by hunger and stress, forced to dig through rubble to find his own relatives. Abu Saif poses profound questions about the meaning of victory, the desire for survival, and the temporary nature of truce, alongside logistical (though no less pressing) ones like where to find bread or how to keep the elements of an impending winter at bay. In publishing his diaries, the author not only exposes the acts of the Israeli Defense Force to a world determined to look away, but also demands compassion and offers a critique of how the world makes news of war and genocide.
Desperate, devastating, and difficult to read, making it all the more necessary.Pub Date: March 5, 2024
ISBN: 9780807016848
Page Count: 288
Publisher: Beacon Press
Review Posted Online: March 13, 2024
Kirkus Reviews Issue: April 15, 2024
BOOK REVIEW
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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