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A WHISPER IN THE WALLS

From the Waxways series , Vol. 2

Substantial and satisfying: Readers will look forward to being reunited with these characters.

A brilliant magician who seeks to destroy the system of inequality propping up her world is aided by new allies and feels the complications of romance in this middle entry in the Waxways trilogy.

As expected, Landwin Brood doesn’t appreciate Theo’s new bond to Ren Monroe; despite her brilliance and magical prowess, Landwin won’t look past her Lower Quarter origins. Although Landwin attempts to separate them, Ren maintains her single-minded focus on revenge. Unbeknownst to Thugar, the eldest Brood, Dahvid and Nevelyn Tin’Vori, who are in hiding, are also out for vengeance as descendants of another family who fell victim to the Broods. Their alliance with Ren and Theo (if he can be trusted) will be the key to bringing down House Brood, but success hangs delicately on an intricate plan that could go wrong in deadly ways. While this sequel to A Door in the Dark (2023) has less breakneck action and high-octane adventure than the first volume, it more than compensates with a slow-building and intensely suspenseful plot that plays to Reintgen’s strength in creating well-defined, emotionally convincing characters. The novel is narrated in multiple third-person points of view, and Ren and Theo’s romance keeps pace, developing slowly but skillfully into something undeniable and sparkling. Themes of loyalty, familial expectations, and personal choice are woven into a world that makes space for sharp-edged girls, tender-hearted boys, and everyone in between. Central cast members are cued white.

Substantial and satisfying: Readers will look forward to being reunited with these characters. (map) (Fantasy. 14-18)

Pub Date: April 23, 2024

ISBN: 9781665930468

Page Count: 416

Publisher: McElderry

Review Posted Online: Feb. 17, 2024

Kirkus Reviews Issue: March 15, 2024

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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