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LEADER BOARD

THE DNA OF HIGH PERFORMANCE TEAMS

A thoughtful collection of managerial guidance hampered by patronizing prose.

A managerial self-help manual provides a comprehensive plan for success—from hiring a team to eliciting a cohesive performance.

At the outset of this book, pharmaceutical executive Harris (From Authors to Entrepreneurs, 2015, etc.) announces an ambitious goal: Based on his study of the most successful businessmen of the last two decades, he aims to articulate a synoptic strategy for managerial achievement. Drawing on a 1965 article by psychologist Bruce Tuckman, the author parses the evolution of a team’s growth into four chief stages. “Forming” is the group’s embryonic stage, in which its members develop an initial sense of their mission and of the roles that each will assume in order to accomplish it. Inevitably, the author says, members will jockey with each other for power—a tumultuous phase that’s aptly named “storming.” If the group survives this phase, they move on to “norming,” in which the members come to accept their positions within the group and achieve a measure of harmony. Finally, the team reaches a state of unity during the fourth stage, “performing,” which allows them to transform themselves into a single “problem-solving instrument.” Harris furnishes a system for stewarding a team through these stages called “Team Performance Acceleration Principles,” which accessibly provides the author’s promised “actionable wisdom.” Harris splits his book into two parts, one instructional and one fictional, and the latter follows the plight of a character named Sam Lombardi, a marketing executive at a troubled pharmaceutical company who’s compelled to launch a new brand with breakneck speed. Sam helpfully illustrates the book’s principles while drawing generously from such business-oriented self-help manuals as John C. Maxwell’s The 17 Essential Qualities of a Team Player. The depth of Harris’ knowledge and expertise is unquestionable, and his counsel is consistently sensible and clear. His book is fairly brimming with charts and tools; for example, he breaks down job interviews, which he characterizes as a kind of dynamic “audition,” into 32 thoughtful questions. Although the advice flirts with banality at times—there’s a lot of emphasis on positive attitudes, for instance—the book will still serve as a valuable resource for new managers. However, Harris does have a tedious tendency to christen his strategies with acronyms, initialisms, or odd names that contribute little additional clarity. For example, “INNERviewing” is a means of capturing the personality profile of each team member and ensuring that they’re all properly aligned with the group’s mission. The tool is useful, and it’s grounded in a defensible insight, but its name makes it seem like a grade-school exercise. Indeed, at some points, the book seems to address the reader as if he or she were a child: “No Donkey-Konging! Just as in the classic arcade game, you must decide whether you will direct your new team from the top as the ‘boss’ (aka Donkey Kong), or as a collective Mario with the team goal of defeating Donkey Kong.” For adult executives who take themselves seriously, this tendency may become infuriating.

A thoughtful collection of managerial guidance hampered by patronizing prose.

Pub Date: April 18, 2019

ISBN: 978-0-9965318-5-6

Page Count: 190

Publisher: The Pantheon Collective TPC Books

Review Posted Online: June 5, 2019

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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