A poignant story of loss, love and family.
Two people broken by World War I look to start over and take refuge in each other in this unique historical romance.
Williams’ debut tells the story of Francesca Sittoni, an Austrian turned Italian by the war, who immigrates to America with her husband, Cesare. He paid a dowry to Francesca’s father for the marriage, but he is unloving toward Francesca and her young daughter from her first marriage, Elena. When Cesare dies working in a coal mine, Francesca is understandably determined to stay in America since her family is too poor to care for her and Elena should they return to northern Italy. She answers an ad for a housekeeper on Kent Reed’s ranch in Willow Valley, Wyo. Despite Francesca’s pregnancy and child in tow, Kent agrees to hire her for one year, and he gets much more than he ever expected or wanted. As they raise Elena together amid hardships, they form a strong bond; affection inevitably develops between them. Francesca and Kent’s equally stubborn attitudes keep them apart romantically, even though they are forced to live in close quarters in the small house they share. The characters come from extremely different backgrounds, but as Williams skillfully weaves their lives together, they begin to see that they have much more in common than they originally believed. Kent is resistant to officially making Francesca and Elena his family; he feels unworthy and has struggled with emasculation after he was wounded in the war and his wife left him. Francesca thinks Kent only sees her as a live-in maid and cook—a poor Tyrolean woman set in the ways of the old country. It takes the neighbors’ help for them to see the life they have already created together and how much they care for one another. Williams writes with familiarity, easily transporting the reader back to the 1920s. Despite the technological, economical and social differences between then and now, the heart of the story is timeless. Beautiful imagery accentuates the compelling narrative that depicts an era gone but not forgotten.
A poignant story of loss, love and family.Pub Date: Jan. 3, 2012
ISBN: 978-0982557419
Page Count: 162
Publisher: Jargon Media
Review Posted Online: March 8, 2012
Review Program: Kirkus Indie
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Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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