A gifted writer at the top of her emotional, sexy, romantic, and inclusive game.
The third and final installment of Cole’s Reluctant Royals series (A Duke by Default, 2018, etc.) probes the ways social expectations can diminish a person's autonomy and how the vulnerability of deep romantic love can make people stronger.
Nya Jerami, the granddaughter of respected elders of the powerful African nation of Thesolo, returns home for a family wedding with fear and trepidation. Nya had fled to New York after discovering that her father, once a respected government minister, was guilty of blackmail, treason, and, worst of all, the politically motivated poisoning of members of his own family. Nya had always been kind, with a naturally trusting attitude that reflected the goodness in her heart. Her father’s betrayal threw her life into a tailspin, shattering her trust. Now, with her father in prison, she is “a woman who’d come to the end of the breadcrumb trail and didn’t know where to go next.” The wedding puts Nya in close proximity to her crush, Johan von Braustein, the Tabloid Prince of Liechtienbourg, who finds in Nya a potent invader of his carefully constructed defenses. Johan’s playboy persona is a cover, designed, so he tells himself, to draw media attention away from his younger brother, the heir to the throne. But having lost his beloved mother at a young age, Johan is terrified of intimacy and its potential to lead to pain and loss. As Johan’s radiant energy draws Nya in, her quiet strength entices him “to stop pretending, to stop guarding his emotions like a dragon watching over its hoard.” Their road to happiness is compellingly bumpy, with political intrigue on two continents and the interference of friends and family, many of whom will be delightfully familiar to readers of the first two installments of the series. In a book by a less skilled writer, a subplot involving a character's emerging nonbinary gender identity might feel unnecessary, but not here. Nya and Johan's swoony sexual tension evolves into a scorching exploration that recognizes Nya’s relative inexperience while rendering the pair's matched desire, fulfillment, and power.
A gifted writer at the top of her emotional, sexy, romantic, and inclusive game.Pub Date: April 30, 2019
ISBN: 978-0-06-268558-2
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)
Pub Date: March 31, 1999
ISBN: 0-609-60249-7
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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