Places salutary focus not just on Rudolph’s athletic gifts but also on her strength of character.
A tribute to the renowned Olympian and Civil Rights activist.
Wilma Rudolph’s youth and early successes get once-overs in the afterword, but the gracefully written main narrative kicks in after her 1960 Olympics triumph—after her observations that people of diverse races freely used buses, beaches, and restaurants in European countries led her to comment that in America, “They push me around because I’m a Negro. Here in Europe, they push me to the front.” Then, learning upon her return to the U.S. that her segregated Clarksville, Tennessee, hometown was planning a “Wilma Rudolph Day,” she successfully pressured the town authorities into opening the parade and banquet to all. In paper collage scenes with digital touch-ups, Pinkney Barlow deftly captures her subject’s determination both on and off the track as well as filling in the backgrounds with scenes of racially diverse crowds both overseas and at the town’s special celebration in Tennessee. Did that celebration bring segregation in Clarksville to an end? No, the authors frankly admit, but Wilma went on “pushing and pulling and protesting,” as all who still see her as an example should, “because the race to freedom is not a sprint, but a marathon. Let’s go!”
Places salutary focus not just on Rudolph’s athletic gifts but also on her strength of character. (Picture-book biography. 6-8)Pub Date: July 16, 2024
ISBN: 9781547612093
Page Count: 40
Publisher: Bloomsbury
Review Posted Online: April 5, 2024
Kirkus Reviews Issue: May 1, 2024
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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