Probing yet accessible, beautifully written and richly characterized: fine work from a writer to watch.
A young woman has her eyes opened to her community’s limitations—and her own—in television writer/producer Brill’s strong debut.
In the small, tightly controlled Quaker settlement on Nantucket in 1845, 24-year-old Hannah Price’s principal duties are to behave and dress with sober decorum and to find a husband. Though her father has encouraged her passion for astronomy since she was a girl, he’s lost interest in celestial observations since her beloved twin brother, Edward, shipped out on a whaling vessel nearly three years earlier. Hannah dreams of sighting a new comet and winning the King of Denmark’s prize, but when her long-widowed father announces that he plans to remarry and relocate to Philadelphia, assuming as a matter of course that Hannah must accompany him, she sees painfully and angrily how little control she has over her own life. She is further unsettled by Isaac Martin, a sailor from the Azores who brings his ship’s chronometer to be recalibrated and asks Hannah to teach him how to use it. Quakers are against slavery but hardly free of racial prejudice; Hannah’s sessions with Isaac scandalize the meeting—and though her critics are narrow-minded, they’re not wrong that she is uneasily attracted to a man she has been raised to believe is beneath her. Hannah is by no means a saintly heroine; as her returned brother’s new wife points out, she is quick to judge and slow to see anything that can’t be observed through astronomical instruments. In spare yet luminous prose, Brill shows Hannah achieving emotional and spiritual growth to match her intellectual gifts: Gaining her heart’s desire to be recognized as a scientist, she also finds the courage to acknowledge her feelings for Isaac. Brill’s realistic, poignant conclusion gives her appealing protagonist almost equal portions of happiness and sorrow, just as she has done equal justice throughout to the passions of the mind and the flesh.
Probing yet accessible, beautifully written and richly characterized: fine work from a writer to watch.Pub Date: April 18, 2013
ISBN: 978-1-59448-744-6
Page Count: 400
Publisher: Riverhead
Review Posted Online: Feb. 2, 2013
Kirkus Reviews Issue: Feb. 15, 2013
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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