Probing yet accessible, beautifully written and richly characterized: fine work from a writer to watch.
A young woman has her eyes opened to her community’s limitations—and her own—in television writer/producer Brill’s strong debut.
In the small, tightly controlled Quaker settlement on Nantucket in 1845, 24-year-old Hannah Price’s principal duties are to behave and dress with sober decorum and to find a husband. Though her father has encouraged her passion for astronomy since she was a girl, he’s lost interest in celestial observations since her beloved twin brother, Edward, shipped out on a whaling vessel nearly three years earlier. Hannah dreams of sighting a new comet and winning the King of Denmark’s prize, but when her long-widowed father announces that he plans to remarry and relocate to Philadelphia, assuming as a matter of course that Hannah must accompany him, she sees painfully and angrily how little control she has over her own life. She is further unsettled by Isaac Martin, a sailor from the Azores who brings his ship’s chronometer to be recalibrated and asks Hannah to teach him how to use it. Quakers are against slavery but hardly free of racial prejudice; Hannah’s sessions with Isaac scandalize the meeting—and though her critics are narrow-minded, they’re not wrong that she is uneasily attracted to a man she has been raised to believe is beneath her. Hannah is by no means a saintly heroine; as her returned brother’s new wife points out, she is quick to judge and slow to see anything that can’t be observed through astronomical instruments. In spare yet luminous prose, Brill shows Hannah achieving emotional and spiritual growth to match her intellectual gifts: Gaining her heart’s desire to be recognized as a scientist, she also finds the courage to acknowledge her feelings for Isaac. Brill’s realistic, poignant conclusion gives her appealing protagonist almost equal portions of happiness and sorrow, just as she has done equal justice throughout to the passions of the mind and the flesh.
Probing yet accessible, beautifully written and richly characterized: fine work from a writer to watch.Pub Date: April 18, 2013
ISBN: 978-1-59448-744-6
Page Count: 400
Publisher: Riverhead
Review Posted Online: Feb. 2, 2013
Kirkus Reviews Issue: Feb. 15, 2013
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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