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LAST LIGHT

Nonstop warrior Nick, with each of his engagements meticulously detailed. A little less of a very good thing, truth be told,...

By an ex-commando about an ex-commando, the fourth persuasive entry (Firewall, 2001, etc.) in the secret agent Nick Stone series.

That Nick Stone is McNab in disguise is a conclusion difficult to avoid. Not that you’d want to avoid it, since authenticity in this kind of novel is what makes the heart thud faster. Still, Nick—unlike his much-decorated creator—does have a history of screw-ups, or at least such is the view of his often-irritated employers. As far as the Firm is concerned, his latest mission is a case in point. The routine assassination gig failed because insubordinate Nick suddenly wouldn’t pull the trigger—when he discovered that his target happened to be a kid. Behavior never to be tolerated. His job was not to reason why but to blast away at those his bosses have decided are inimical to Britain’s well-being. But Nick will be granted a last chance to redeem himself: a crack at the same target now returned to his native Panama in company with his dad, a wily and enterprising thug much too close to the worrisome Chinese. At issue is a high-tech missile system named Sunburn, which the Brits covet and the Chinese control, at least for now. But if Nick can make his kill, the Brits, given the labyrinthine way these things work, will gain their ends. But if he disappoints again, Nick is warned, the consequences will be dire indeed—to his own adopted 13-year-old daughter. Between good guys and bad, the line grows ever blurrier. No matter. Nick, hardened and embittered, has long since left such distinctions behind. He cares only about his guys, and so this time, it’s clear, there’s to be no backing off.

Nonstop warrior Nick, with each of his engagements meticulously detailed. A little less of a very good thing, truth be told, might have benefited narrative flow.

Pub Date: Aug. 1, 2002

ISBN: 0-7434-0628-1

Page Count: 368

Publisher: Atria

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2002

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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