The intricate plot poignantly depicts community crosscurrents, past and present.
The reopening of a cold case brings sketchy characters out of the woodwork and triggers deep emotion in a retired detective.
While exploring an Icelandic glacier, a group of German tourists stumble upon the well-preserved corpse of Sigurvin, a young man who disappeared 30 years ago. Konrád, the retired detective who worked the case, gets a call from his friend Svanhildur, a pathologist at the National Hospital, urging him to take a look at the body. A large head wound confirms that the death was most likely murder. Konrád has long believed that Hjaltalín, a man who threatened Sigurvin, was responsible for his death. The suspect was never brought to justice but suffered public infamy. When Hjaltalín, now elderly and frail, is taken into custody, he requests a meeting with Konrád, professes his innocence, and pleads to be exonerated—and then, days later, he dies. Once Konrád reluctantly begins a new investigation, he notices glaring omissions in the record and gets an odd visit from a woman whose brother, killed in a suspicious car accident, may have witnessed the crime as a child. His labyrinthine probe unearths secrets that have been buried for decades. Indridason methodically builds a portrait of Iceland with a large cast of nuanced characters unsettled by past events. In dredging up the past, Konrád must also confront his complex relationship with his own abusive father, whose murder was unsolved as well.
The intricate plot poignantly depicts community crosscurrents, past and present.Pub Date: Aug. 17, 2021
ISBN: 978-1-2507-6546-8
Page Count: 352
Publisher: Minotaur
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
Intrigue, murder, and vengeance make for a darkly enjoyable read.
A woman’s life takes a stunning turn and a wall comes tumbling down in this tense Cold War spy drama.
In Berlin in 1989, the wall is about to crumble, and Anne Simpson’s husband, Stefan Koehler, goes missing. She is a translator working with refugees from the communist bloc, and he is a piano tuner who travels around Europe with orchestras. Or so he claims. German intelligence service the BND and America’s CIA bring her in for questioning, wrongly thinking she’s protecting him. Soon she begins to learn more about Stefan, whom she had met in the Netherlands a few years ago. She realizes he’s a “gregarious musician with easy charm who collected friends like a beachcomber collects shells, keeping a few, discarding most.” Police find his wallet in a canal and his prized zither in nearby bushes but not his body. Has he been murdered? What’s going on? And why does the BND care? If Stefan is alive, he’s in deep trouble, because he’s believed to be working for the Stasi. She’s told “the dead have a way of showing up. It is only the living who hide.” And she’s quite believable when she wonders, “Can you grieve for someone who betrayed you?” Smart and observant, she notes that the reaction by one of her interrogators is “as false as his toupee. Obvious, uncalled for, and easily put on.” Lurking behind the scenes is the Matchmaker, who specializes in finding women—“American. Divorced. Unhappy,” and possibly having access to Western secrets—who will fall for one of his Romeos. Anne is the perfect fit. “The matchmaker turned love into tradecraft,” a CIA agent tells her. But espionage is an amoral business where duty trumps decency, and “deploring the morality of spies is like deploring violence in boxers.” It’s a sentiment John le Carré would have endorsed, but Anne may have the final word.
Intrigue, murder, and vengeance make for a darkly enjoyable read.Pub Date: Feb. 1, 2022
ISBN: 978-1-64313-865-7
Page Count: 352
Publisher: Pegasus Crime
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
A real test for Patterson’s huge audience: If they buy this, they’ll buy anything.
Only a writer of Patterson’s star-wattage could have hoodwinked his publisher into bringing out this unlovely mess, which pits forensic psychologist Alex Cross against two separate serial killers.
It begins with the slaughter of still another of Cross’s professional and romantic partners, FBI agent Betsey Cavalierre, by Cross’s old nemesis, the Mastermind (Roses Are Red, 2000), who instantly phones to taunt his adversary. With still another partner dead, how can Cross go on? But he has to, immediately, because another killer is on the loose—actually, a pair of killers, William and Michael Alexander, teenaged vampires whose murder of two army officers in Golden Gate Park is just a warmup for the carnage to come. As the Mastermind keeps trying to get Cross’s attention by threatening his adorable kids, his grandmother, and everyone else he’s ever known, Patterson, apparently eager to escape the constraints of the low body count in the soapy Suzanne’s Diary for Nicholas (p. 694), unleashes the hounds of hell. Under the direction of their dread Sire, the exultant Alexander brothers (“We’re immortal! We’ll never die!”), leave a trail of gory victims in Las Vegas, Savannah, New Orleans, and Baton Rouge before returning to Santa Cruz for a climactic sequence that finally unmasks the ho-hum Sire. The moment the vampire chronicles end, Cross, without missing a beat, turns to that other serial killer, and soon, courtesy of one of his famous profiler’s hunches, has the Mastermind in his sights. Can he hunt down his enemy before the Mastermind exacts a terrible vengeance against somebody else—say, beauteous Jamilla Hughes of San Francisco Homicide—whose death would reduce Cross to babbling despair? The grade-school characterizations of everyone from cops to victims to cackling psychos guarantee that you won’t care a bit.
A real test for Patterson’s huge audience: If they buy this, they’ll buy anything.Pub Date: Nov. 19, 2001
ISBN: 0-316-69323-5
Page Count: 400
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2001
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