A knotty, sui generis evocation of mothers’ feelings of fear and loss.
Two women reckon with loss and displacement in a coastal town.
This astringent, fuguelike novel by Kurdish-born Swedish author Karam opens with an unnamed woman who’s long been on a desperate search for her missing daughter. She walks the streets of a beach town, haunting a corniche where “The Missing One” worked at a restaurant. When the mother’s efforts prove too futile to bear, she leaps from the edge of the corniche. That incident has a witness, a pregnant tourist whose child will later die in utero. Karam interweaves the stories of the two women, connecting them almost to the point of blurring their lives together. The pregnant woman is a refugee from state violence, and the woman searching for her daughter leaves behind three children living in a nearby lot, surviving mainly on the goodwill of a greengrocer. (Karam draws a stark distinction between the well-off habitués of the shops along the corniche and the refugees who live near it.) The plot details here aren’t as crucial, though, as the mood of oppression, particularly toward women, and Karam’s various means of conjuring it. She bounces around timelines, plays with point of view (the pregnant woman is “you”), and interweaves the two women’s voices within extended passages. The “singularity” of the title refers to the force in astrophysics that “pushes bodies together and renders the distance between them nil,” a meaningful metaphor for two women similarly bereft. Translator Vogel deftly manages Karam’s rhetorical shifts while preserving the mood of disorientation. The book doesn’t resolve its central crisis so much as suggest that such crises are all-pervasive, and that migrants will continue to absorb abuses that are bigoted at best and fatal at worst.
A knotty, sui generis evocation of mothers’ feelings of fear and loss.Pub Date: Jan. 24, 2024
ISBN: 9781558611931
Page Count: 200
Publisher: Feminist Press
Review Posted Online: Oct. 20, 2023
Kirkus Reviews Issue: Nov. 15, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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