THE SOUND BETWEEN THE NOTES

In Probst’s novel, a gifted pianist hopes to restart her career after a long hiatus.

Susannah Lewis willingly sacrificed her concert career to be a mother. Now, her son, James, is a teenager, and she is invited to perform at a gala function that might signal a new beginning. But her little finger is behaving oddly, and she has a couple of tiny nodes on her palm. The diagnosis is Dupuytren’s contracture, a hereditary condition. In time, her gnarled hands may be useless at the keyboard. This is terrifying enough in itself, but Susannah was adopted as a newborn and knows next to nothing about her biological parents. Her search takes her to Texas, where she leaves a wake of emotional mayhem but does learn that she has a younger sister, who may have musical talents of her own. Meanwhile, Susannah looks to find treatment for her rare condition. Her husband, Aaron, however, is a scientific researcher who is by nature very logical and cautious; moreover, he simply can’t understand the anxiety that is plaguing Susannah. Their marriage suffers and may be permanently damaged. Probst writes very well and convincingly. The characters are well drawn, and the tight plot is just one agonizing twist after another. Susannah and Aaron fall prey to the old clash between the artistic temperament and the scientific, but the reader does understand them both as well-meaning people. James is a recognizable teenager: a naïve kid one minute, a nascent adult the next. The climax, on the night of her performance, is a tour de force steeped in suspense, and Susannah’s subsequent revelations are satisfying and authentic.

A sensitive, astute exploration of artistic passion, family, and perseverance.