by B.D. Cottleston ; illustrated by Marcin Piwowarski ‧ RELEASE DATE: May 5, 2020
A humorous dose of wordplay and righteous childhood indignation.
Visual thinkers, take note: You may need to read the title and part of this rabble-rousing story out loud to catch the clever central pun, but children everywhere will relate.
Who is Ana Dalt? “When I see something fragile, I want it so much! / But when I reach up to get it, someone always yells… // ‘DON’T TOUCH!’ / ‘Only ANA DALT should be touching that stuff.’ ” Time and again, the narrator, an overalls- and baseball-cap–wearing child with beige skin and dark, chin-length hair, is deterred. Want to explore a lawn mower or gardening tool? “That’s for Ana Dalt!” When a scary movie comes on…“This is for Ana Dalt” too. Ready to grab a fancy party snack? “ ‘THAT’S NOT YOUR TREAT!’ / ‘That’s for Ana Dalt.’ ” Frustration builds until the narrator is standing on a stool with fist raised in protest. “It’s time someone tells me where Ana Dalt’s at! // Has anyone told her it’s nicer to share? / Does she even know? Does she even care?” Realistic illustrations with attitude emphasize facial expressions to capture a full range of emotions, including curiosity, anger, fear, and the struggle for understanding. The protagonist’s parents appear to be an interracial couple, suggesting the child is biracial; a genial and hairy family dog accompanies the narrator throughout. Secondary characters present with various skin tones.
A humorous dose of wordplay and righteous childhood indignation. (Picture book. 4-8)Pub Date: May 5, 2020
ISBN: 978-1-4867-1810-8
Page Count: 32
Publisher: Flowerpot Press
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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by B.D. Cottleston ; illustrated by Hazel Quintanilla
by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Mac Barnett ; illustrated by Carson Ellis
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by Carson Ellis ; illustrated by Carson Ellis
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by Katie Weaver ‧ RELEASE DATE: July 16, 2024
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.
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In Weaver’s charming picture book, a dog reassesses his not-so-glowing review of little kids.
“Families are OVERRATED!” as far as the bluish-gray hound named Dog is concerned. While he approves of the adults in the household, the four small children are for the birds. In an attempt to resolve his conflicted feelings, Dog pours his heart out to a therapist scribbling on a notepad. Dog lists his grievances via couplet rhymes: “And many times I’ve found their dirty toys INSIDE MY BOWL! / It’s obvious these little humans have no SELF-CONTROL!” With key words highlighted in colorful and bolded fonts for more emphasis, his voice now has added urgency. Soylu’s lively drawings in muted tones are wondrously effective in animating Dog; his hanging jowls, big eyes, and floppy ears all convey believably beleaguered expressions. Lifelike details enhance the dramatic effect of the children’s boisterous antics. At the end, Weaver provides a list of do’s and don’ts for interacting with pets. Dog lovers can identify the dog breed silhouettes on the endpapers. Kids will get a kick out of Dog’s opinion of humans and perhaps recognize some behaviors to reconsider.
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.Pub Date: July 16, 2024
ISBN: 9781736267370
Page Count: 40
Publisher: A Little Offbeat Publishing
Review Posted Online: April 26, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
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by Cindy Ninni Grant ; illustrated by Katie Weaver
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