An uneven story with the ring of authenticity that becomes progressively difficult to follow.
Buchholz’s debut fiction combines an eye-level view of war-ravaged Iraq with a story that centers around lost relationships, longing and regret.
Abu Saheeh works at his small mobile-phone sales shop in an Iraqi village near the border of Kuwait. Situated under a bridge guarded by a single inept soldier, Abu Saheeh’s business grants him a prime vantage point from which to watch the daily convoys of American soldiers and trucks laden with supplies that roll through the outskirts of Safwan. It is to this little shop that a street urchin named Layla, with her odd blue eyes, comes each day to visit with the merchant. Charming Layla chatters about American movie stars and culture, and challenges Abu Saheeh to reach back into his dark and deadly past and relive moments he would prefer to forget. Also in Safwan is his old friend, Bashar, with whom he spent many years in Chicago, both sent there to study medicine by the Iraqi government. Bashar, who owns the small restaurant where Abu Saheeh takes his evening meal, represents a past that slips into Abu Saheeh’s restless and nightmarish dreams night after night. As he courts a wealthy widow, the phone salesman also collaborates with a prominent local resident on a mysterious mission. Buchholz, who now resides in Oman with his family, clearly has an eye for detail; the book boils with observations on the culture and daily life of the residents of Safwan and Baghdad. The author is an astute observer, turning sights, sounds and smells into eloquent snips of the lives of a people who have sustained great loss and devastation. Buchholz’s prose is vivid, perhaps too vivid for some because he neglects no detail of the carnage that characterizes Iraq’s current history and recent past. But the narrative that starts out so clear and compelling fades and dips in the last part of the book, leaving the reader both moved and confused at the same time.
An uneven story with the ring of authenticity that becomes progressively difficult to follow.Pub Date: Dec. 1, 2011
ISBN: 978-0-316-13377-7
Page Count: 320
Publisher: Back Bay/Little, Brown
Review Posted Online: Nov. 22, 2011
Kirkus Reviews Issue: Nov. 15, 2011
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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