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LITTLE BEAR'S BIG HOUSE

A sure hit that encourages independence—but not without a bit of gentle teasing.

When disgruntled Little Bear leaves his family to seek adventure outside their forest home, he finds a deserted house—and just enough adventure for one day.

The cover art makes good use of the large, vertical layout, with the comical, long-snouted Little Bear in the foreground and a red, multistoried house in the background. That art immediately poses questions that will be answered in time. For one, why is Little Bear struggling through pine trees with a ruffled, polka-dot piece of cloth tied around his neck and a standing lamp in his paws? From the beginning, text and art create giggles, because Little Bear has so many recognizable human qualities: both resentment and affection toward family members; refusal to play with peers when on an independent mission; imaginative fears; false bravado after returning to the safety of home. Young readers will appreciate the irony evident in several places, as when Little Bear insists that little boys, unlike bear cubs, are unencumbered adventurers. The surprising climax and the coda also provide irony. The text, translated (without credit) from the French, is shot through with wry, funny turns: “Little Bear takes courage into his own paws.” From the scarlet, plant-festooned endpapers to Little Bear’s hilarious antics with house amenities and from Little Bear’s imagined, Sendak-ian monsters to the details of forest animals fleeing through trees, the art perfectly complements the lighthearted text.

A sure hit that encourages independence—but not without a bit of gentle teasing. (Picture book. 3-6)

Pub Date: Oct. 9, 2018

ISBN: 978-1-4521-7371-9

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: July 29, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

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Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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