by Bill O'Reilly and Martin Dugard ‧ RELEASE DATE: Oct. 1, 2011
Cable-news talking head O’Reilly (Pinheads and Patriots: Where You Stand in the Age of Obama, 2010, etc.) and historian Dugard (To Be a Runner, 2011, etc.) serve up a sensational, true-crime account of one of the most shocking murders in American history.
In this fast-paced narrative history, the authors recount the weeks leading up to and immediately following the assassination of Abraham Lincoln. They pick up the historical thread in the waning moments of the Civil War, as two bedraggled armies attempted to outmaneuver and outlast one another. A reflective and anxious Lincoln was near the battlefront, conferring with General Grant and waiting for the fall of Richmond that would signal the last phase of the war. Meanwhile, a disgruntled Confederate sympathizer, John Wilkes Booth, traveled around Washington, D.C., and its environs fomenting unrest among his co-conspirators. In response to the fall of the Confederacy, Booth transformed the group’s longstanding kidnapping plan into a vengeful and flamboyant plot to assassinate Lincoln and several key Cabinet members. The authors profess to be writing history that reads like a thriller, and their account of Lincoln’s assassination makes ample use of tricks like cliffhanger endings, hypothetical psychological insights and fictional dialogue. Yet such narrative propulsions seem hardly necessary when chronicling the rapid-fire succession of major events that occurred during those fateful weeks: several of the bloodiest battles of an already brutal war, the surrender of the Confederacy, tumultuous celebrations in the North and the Good Friday assassination of a leader who was both beloved and despised. This moment in history is already dramatic, thrilling and shocking; applying the “thriller” motif delivers on the subtitle’s description of a “shocking assassination” but fails to elucidate how the authors believe this event “changed America forever.” An entertaining tale that neither adds to the vast bulk of Lincoln scholarship nor challenges the established theories of Booth's plot and the subsequent trial of the conspirators. Readers seeking a consequential thriller-like portrayal of the assassination should turn to James L. Swanson’s Manhunt (2005).
Pub Date: Oct. 1, 2011
ISBN: 978-0-8050-9307-0
Page Count: 336
Publisher: Henry Holt
Review Posted Online: Aug. 15, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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by Bill O'Reilly ; illustrated by William Low
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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