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NOT ALL SHEEP ARE BORING!

Hopefully readers’ own flocks are either livelier or more conducive to sleep; this toad’s will do in the meantime.

In former Saturday Night Live cast member Moynihan’s picture-book debut, a toad narrator fighting sleep introduces readers to all the exciting sheep they know.

People count sheep in order to fall asleep, ergo sheep are boring. But the toad, who sports a green striped shirt and black shorts on stick-thin limbs and has an iron bedstead in the sheep’s field, wants to prove otherwise. One by one, the toad introduces sheep like Alice, who has both a jet pack and a helmet (Alice is both “smart AND cool”), Julie, who loves dancing   and coffee, and Mike H., who “likes to eat pickles while sitting in a big wet boot.” Gary, who doesn’t know what pasta is, is just plain weird, but weird isn’t boring. The parade of sheep gradually gets less and less cool, from Dan, who requires extra exclamation marks to seem hipper, to Katie, who has never actually pranced on the moon, and finally to Steve. Steve is a sheep in a tan vest and headphones using a metal detector in the field. And Steve IS boring, but “that doesn’t mean…that ALL…sheep…are…NOT…ALL…SHEEP…ARE…Zzzzzzz.” Rowan-Zoch’s digital illustrations keep the details simple to focus on the droll sheep, plain white or the bright green of the pasture serving as backgrounds. Still, readers may have different ideas as to which sheep are boring…and may fall asleep long before they reach Steve. (This book was reviewed digitally.)

Hopefully readers’ own flocks are either livelier or more conducive to sleep; this toad’s will do in the meantime. (Picture book. 3-6)

Pub Date: Sept. 20, 2022

ISBN: 978-0-593-40703-5

Page Count: 32

Publisher: Putnam

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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IT'S MY BIRD-DAY!

From the Pigeon series

Familiarity breeds a birthday for the ages in this party worth attending.

Don’t let the Pigeon ruin his own special day!

Anyone who has ever encountered the title character in any of his books—whether his first, Don’t Let the Pigeon Drive the Bus (2003), or one of its many sequels—will understand that the bird’s innate self-love drives his every interaction. Little wonder, then, that he’s thrilled about his own “bird-day.” He has the hat. He has his “FANCY PLUMAGE.” And, best of all, he will get to blow out a candle “on my bird-day hot dog!” As he revels in the knowledge that this day is all for him, comeuppance is lurking. Someone has already blown out the bird-day candle—and eaten half the hot dog. It turns out that the Pigeon’s frenemy, the Duckling, has the same bird-day—as do a slew of newly hatched chicks. The Pigeon’s obligatory eight-panel freakout ensues. “What am I—invisible? I just want to be seen,” he whimpers, and when he receives some much-needed reassurance, he settles down and willingly shares his special day. While the switch from unapologetic narcissism to mature acceptance happens in the record-breaking span of two pages, the book is as enchanting as the Pigeon’s earlier outings. Even as it walks in the footsteps of its predecessors, there’s no denying the fun to be had.

Familiarity breeds a birthday for the ages in this party worth attending. (Picture book. 3-6)

Pub Date: March 31, 2026

ISBN: 9781454999621

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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