A persuasively—almost musically—worded meditation on colonialism and whether it’s really possible to return home again.
Sometimes the aliens don’t land in New York or London.
In fact, the alien Ynaa ship that catalyzes the emotional landscape and drives the action of this debut novel lands in the harbor of Water Island , one of the U.S. Virgin Islands. The Ynaa are decidedly a mixed bag, as aliens go: They don’t intend to conquer, just to stay for a while to do some unspecified research. In return, they give humans advances in medicine and other technology. The downside is that the Ynaa, who nearly appear to be human but are far stronger, live by a code of survival above all things and return any violence or even perceived violence done to them with more excessive violence, which the governments of the world decline to pursue legally. Five years after the landing, many islanders are unhappy about the occasional dog ripped in half and young man’s neck snapped. Moreover, the Ynaa are being less than forthcoming: The Ynaa ambassador, Mera, has been here far longer than most humans know. But that time has done more to damage her relationship with the Ynaa than with humanity; her intimate contacts with humans and the brutality she witnessed centuries ago when she posed as a slave have caused her to question both her people’s way of life and their mysterious mission. Her struggle to reconcile her origins with her experiences and present circumstances is mirrored by several humans on the island—including Shawn, the angry brother of a boy killed by the Ynaa; Patrice, a young woman who went to the mainland U.S. for college but has returned pregnant; her ex-boyfriend Derrick, dubbed a traitor for his job working for Mera; and Derrick’s grandmother Henrietta who refuses a Ynaa treatment for her cancer. All of them must come to their own conclusions, for good or for ill, as all of Water Island moves toward a final, explosive confrontation.
A persuasively—almost musically—worded meditation on colonialism and whether it’s really possible to return home again.Pub Date: June 18, 2019
ISBN: 978-1-5385-8464-4
Page Count: 272
Publisher: Blackstone
Review Posted Online: June 2, 2019
Kirkus Reviews Issue: June 15, 2019
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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