A steamy, romantic summer read with a charming setting.
A florist attempts to avoid her best friend’s brother—and their powerful chemistry—on Prince Edward Island.
When Lucy Ashby visits her best friend Bridget’s family home on Prince Edward Island for the first time, Bridget gives her three rules: Eat your weight in oysters….Leave the city behind. And, most importantly, Don’t fall in love with my brother. Unfortunately for Lucy, she sleeps with Felix basically the second her plane lands, unaware that he’s Bridget’s brother until it’s too late. Lucy has never felt understood or accepted by her immediate family, and Bridget is one of the very few people she allows into her inner circle, so Lucy’s desperate to abide by these rules. And so she and Felix try to avoid each other on every one of Lucy’s visits to PEI over the years. And, of course, they fail spectacularly, always returning to each other when they’re in between relationships. But it’s never been anything serious…Lucy makes sure of that, backing off whenever her emotions feel too strong. In her “real life” back in Toronto, it’s easier for Lucy to avoid thinking of Felix as she runs a busy floral shop, working herself into the ground. But when Bridget asks Lucy to come to PEI for an emergency girls’ trip less than two weeks before Bridget is supposed to get married, Lucy drops everything to be there for her best friend. She doesn’t expect to find Felix there, along with feelings that are stronger and more difficult than ever to ignore. Even more than jeopardizing her relationship with Bridget, Lucy is afraid that giving in to her feelings could ruin the life she’s worked so hard to build. Fortune, the author of hits like Every Summer After (2022), gives readers another refreshingly summery story full of angst, romance, and sex scenes aplenty. The PEI setting is a beautiful backdrop for Lucy and Felix’s secret hookups and Lucy’s journey of self-discovery as she learns how to stand on her own two feet as a business owner, friend, and daughter. In addition to frequent (and welcome) Anne of Green Gables references, there are oysters galore and many sandy, windy scenes that transport readers straight to the island.
A steamy, romantic summer read with a charming setting.Pub Date: May 7, 2024
ISBN: 9780593638880
Page Count: 368
Publisher: Berkley
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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