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STANDING IN THE NEED OF PRAYER

A MODERN RETELLING OF THE CLASSIC SPIRITUAL

Gorgeous and enlightening, nourishing both mind and soul.

Weatherford infuses the lyrics of a traditional spiritual with pivotal events in African American history.

In four-line stanzas, references to the unseen narrator (“It’s me, it’s me, O Lord”), the ancestors, and present-day children alternate with the line “Standing in the need of prayer.” From “families enslaved and sold apart,” “a band of rebels,” and “freedmen seeking kin at Emancipation” to Black students integrating all-White schools, athletes breaking records, and choirs singing of justice and freedom, African Americans from across the eras and generations are humbled before God as they face mighty obstacles with brave resistance and endurance. Readers don’t need to know the song to enjoy this book; the repeated lines have the power of an incantation, inducing a meditation on all that Black people have survived and how they have thrived. Morrison’s elegant, emotional, painterly illustrations highlight the beauty, dignity, and grace of the people throughout difficult and degrading circumstances. Rich earth tones, texture, and light invite the eye to linger on the varied, portrait-style compositions. Not just for faithful homes, this is a book that can spark conversations about Black history from a strengths-based lens, with culture and coping as the focus. Brief notes discuss the figures and topics referenced in the main text, and an author’s note explains the importance of spirituals to the culture and to Weatherford personally. (This book was reviewed digitally.)

Gorgeous and enlightening, nourishing both mind and soul. (online resources) (Historical picture book. 4-10)

Pub Date: Sept. 20, 2022

ISBN: 978-0-593-30634-5

Page Count: 32

Publisher: Crown

Review Posted Online: Aug. 16, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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