An intricate gem of a poetic debut.
Grace’s debut poetry collection ponders language and meaning.
“I wrote this book because I am interested in how meaning is created,” writes the author in her preface to this new collection. For this emerging poet, meaning is found in the mechanics of human language—specifically word choice and placement—and in the quest to make sense of oneself and the world. The collection is divided into nine sections bearing intriguing, unusual titles, including “Esemplastic,” “Limn,” and “Invariance.” Each section contains a series of poems without titles, numbered in roman numerals. Grace employs a range of poetic forms, from common meter to haiku and pantoums. Some poems contemplate how our relationships with others impact our own identity: “If you are the center of my map—where / am I?” Others consider the act of writing itself: “These marks are a compendium of miscellany / a narrative—translucent, pre-existing and replete.” At the close of some sections, the author includes a “Lyric Glossary” in which she poetically reexamines and reframes specific terms she has used. Grace’s poetry is laden with sensuous imagery: “Ignominious fruit of that garden / my carmine lips, your garnet desire.” The most compelling aspect of this ingenious body of verse is the poet’s determination to excavate ever deeper layers of meaning; Grace returns to the word carmine in her Lyric Glossary, recalling, “a rich red to crimson pigment…I bought a dress that made my skin look like cream and my hair look like amber. / I bought it so that your hands on my waist would look like intent—and they did.” The poet moves beyond cold definitions, adding not only personal significance to the term but pinning it to one intimate moment. She poignantly captures how meaning shifts with time: “a vivid red…I still own that dress. It is packed in a box with other things that don’t fit me anymore.” The poet also demonstrates notable technical prowess, as when priming a villanelle to deliver the powerfully philosophical, doubled-barreled refrain: “What arterial conspiracy was this, aromatic and dusty, rife with pulse and power? / The victor builds the world around himself, calls the edges nothing, the center a flower.” This is the work of an alarming talent.
An intricate gem of a poetic debut.Pub Date: May 2, 2023
ISBN: 9781945049354
Page Count: 168
Publisher: Shadelandhouse Modern Press
Review Posted Online: April 4, 2023
Kirkus Reviews Issue: June 1, 2023
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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