Cusset asks us to believe that an extremely detailed and accurate book could be written about the life of a noncelebrity by...
French-born Cusset’s first novel written in English: suspenseful, interesting, and challenging, but ultimately unsatisfying.
Jane, a young French professor at a prestigious university not unlike Yale (where Cusset teaches French), finds a package on her doorstep that turns out to be a novel detailing her adult life, marriage, and numerous affairs. This book-within-a-book is presented in its entirety, interspersed with scenes of Jane’s mounting anxiety as she tries to puzzle out who could have assembled the information to write such a novel, and why. Was it Bronzino, the manipulative department head with whom she had a brief affair? Writer/editor Josh, her college boyfriend? Ex-husband Eric, for whom she still carries a torch? Francisco, her close friend in the Spanish department? Alex or Allison, to whom she has spilled her guts, respectively, in e-mail and in person? Or was it some other mysterious, sinister, and obsessive person? Unfortunately, the central tension is quickly dissipated as the reader comes to realize that nobody could have written the novel but an omniscient narrator with access to virtually every detail and feeling in this woman’s life down to the exact words she spoke. (As she reads, Jane occasionally quibbles with a feeling attributed to her, but with one exception she never questions the smallest fact or a word of dialogue.) And a lot of fancy footwork can’t disguise the fact that this is an ordinary story of a young woman, her failed marriage, and a string of affairs, related in workmanlike but undistinguished prose.
Cusset asks us to believe that an extremely detailed and accurate book could be written about the life of a noncelebrity by any one of a half dozen friends and acquaintances. Perhaps such a premise can be realized successfully in fiction, but not this time out.Pub Date: Sept. 1, 2001
ISBN: 0-7432-0299-6
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2001
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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