illustrated by Christine Davenier ‧ RELEASE DATE: July 1, 2012
The original song with its three-part counterpoint is deliciously imagined on these pages.
In 1961, Peter, Paul and Mary made an extremely engaging piece combining the title ditty, a game of hide-and-seek and snatches of nursery rhymes; Davenier takes it a visual step further to make an absolutely engaging picture book.
Fluid colors and vivacious line define the images, which not only show a wonderful old house with a warm kitchen and a fine old stairway, but a huge apple tree outside. Populating this cozy locale are a gaggle of children visiting grandma and grandpa. It’s grandpa who is in bed with an ice pack on his head (“the old man is snoring. / Bumped his head…”) The children, driven indoors by the rain, start a game of hide-and-seek. One moppet climbs into bed next to grandpa and reads to him. Familiar nursery rhymes (“Star light, star bright”; “Hey diddle-diddle”) play out in the pictures with grandpa and moppet as actors. Meanwhile, the barefoot children (all of their shoes are lined up by the stairs) are quietly hiding in the closet, under the table where grandma is peeling apples and even under grandpa’s bed! (That’s where the twins are.) There’s a big old dog and a ginger cat, and the cow who jumped over the moon—at least in grandpa’s and moppet’s imaginations—peeks in the window at “Olly, Olly in free!” And it looks like the sun has come out. A note about the song from the performers, Davenier’s note about being at her grandmother’s with all of her cousins and an enclosed three-song CD round out a near-perfect whole.
The original song with its three-part counterpoint is deliciously imagined on these pages. (Picture book. 4-8)Pub Date: July 1, 2012
ISBN: 978-1-936140-77-0
Page Count: 32
Publisher: Peter Yarrow/Imagine
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: June 15, 2012
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by Nikki Giovanni ; illustrated by Erin K. Robinson ‧ RELEASE DATE: Sept. 27, 2022
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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