by Clark Hays and Kathleen McFall ‧ RELEASE DATE: May 1, 2012
Those who missed out on the first book will really have to hang on if they want to follow what’s happening, but it’s worth...
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Lizzie, Elita and the rest of the gang are back for blood in the second book of Hays and McFall’s (The Cowboy and the Vampire, 2010) series.
Following the climactic events of the first book, Lizzie Vaughan doesn’t get much of a breather. When a friend’s niece disappears, her Adamite (read: full-blooded human) boyfriend, Tucker, is still coming to terms with the fact that his woman is a vampire. While he leaves town to investigate, Lizzie is having trouble resisting the urge to kill, as the baby she carries—the one no one thought was possible—makes her hunger unbearable. Meanwhile, powerful elders are arriving in the western town of LonePine to decide if the prophecy has come true. Is Lizzie really their new queen, the one who can save vampirekind—or at least their own Messianic bloodline? Introducing racial issues isn’t the only adjustment the authors have made to the vampire mythos, but it’s more than just the details that set this series apart. Rather, it’s the way the authors utilize those details to create meaningful conflicts and world-altering choices for the characters. While a number of existentialist underpinnings give the series some depth, the book is first and foremost a thriller, upping the ante in every chapter as bullets fly and relationships strain under the weight of old loyalties and new revelations. In a way, it’s a shame more time isn’t spent exploring the existence of this meta world where consciousnesses wait out the daylight hours and immortality has all sorts of ramifications for human spirituality. But with strong writing, funny characters (no irony is lost on one vampiress who takes to sporting a “Future Farmers of America” jacket) and plenty of action, it’s hard to fault the authors for keeping the focus on a story this riveting.
Those who missed out on the first book will really have to hang on if they want to follow what’s happening, but it’s worth it for this tale of love and blood in the modern West.Pub Date: May 1, 2012
ISBN: 978-0983820017
Page Count: 362
Publisher: Pumpjack Press
Review Posted Online: April 2, 2012
Kirkus Reviews Issue: April 15, 2012
Review Program: Kirkus Indie
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BOOK REVIEW
BOOK REVIEW
by Clark Hays and Kathleen McFall
BOOK REVIEW
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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