A comforting book about the random acts of kindness that hold communities together.
The hardworking people of a small Vermont town are on the receiving end of a benefactress’ goodwill.
Mary Hayes has not had an easy life. Plagued by bouts of pathological anxiety since being attacked at age 16, she greatly prefers the company of her father and her horses to anyone else’s. But when Patrick McAllister turns his commanding gaze toward her, she forces herself to abandon her shyness and meet his family, friends and business associates. Sadly, Patrick is not what he seems to be, and tragedy strikes anew. Left with limited eyesight and a fortune, Mary struggles to assimilate in the tiny rural Vermont community she watches from her mansion on a hill, doing anonymous good whenever she can. Daisy Delaine, for example, receives a new trailer when her old one burns down. The whole town receives brand new televisions just in time for the annual Christmas specials. After her death, Mary’s friend Father O’Brien continues in the tradition of giving by carrying out the generous wishes of her will. Chan’s sweet novel displays her talent. Sporting a complicated structure, it shifts back and forth between past and present and between various characters’ perspectives—the author handles these changes with confidence and doesn’t leave readers confused. Her characters are strong and precise, and she vibrantly portrays the setting, the small town of Mill River. The dialogue occasionally leans toward cliché, but not often enough to be distracting. Readers may even find comfort in the book’s foundation of predictability—this is not a novel that strives to break new ground, but rather settles in one’s lap like a familiar cat.
A comforting book about the random acts of kindness that hold communities together.Pub Date: May 18, 2011
ISBN: B0051PRFLQ
Page Count: -
Publisher: N/A
Review Posted Online: July 21, 2011
Review Program: Kirkus Indie
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BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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