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PHANTOM ORBIT

A space yarn filled with tension and excitement.

Great powers jockey for dominance in space.

Three unusually smart people play key roles in this cerebral, well-researched thriller. It’s relatively low-key, with none of the blood spatter and 12-letter profanities so common in the genre. In the 1990s, Russian Ivan Volkov studies aerospace engineering at Tsinghua University in Beijing, where he learns from renowned professor Cao Lin and meets American grad student Edith Ryan. Volkov and Ryan (Psst! She’s CIA) become friends but not lovers, and they go their separate ways. Back home in Russia, Volkov, the most interesting of the main characters, is asked if he trusts his “new Chinese friends.” “I am a Russian,” he replies. “I don’t trust anyone.” His money-loving wife leaves him and their young son while he struggles to find a job that pays enough. “Don’t take Dimitry,” he begs her. “I don’t want Dimitry,” she tells him. “He reminds me of you.” Ouch. But he loves his son and raises him well. He also loves Russia, but he doesn’t love its corruption. Three decades later, the specter of war looms in space, with hints of vulnerabilities in the GPS system. The U.S. has dominated space for so long that Cao Lin believes it’s become complacent and can’t see its vulnerabilities. While much of our daily lives depends on GPS’s precision in commercial air and highway travel, it’s critical to Ukraine for pinpointing Russian targets on the battlefield. Thousands of miles up in space, one satellite might be able to reposition itself close to another country’s satellite and reprogram or disable it. This oversimplifies the threat described in detail in the novel, but that’s the drift. China, Russia, and the U.S. fear and mistrust each other, and they can cause huge problems on earth by dominating space with “killer satellites.” Volkov is asked if he can fix Russia’s satellite system, which is too “sloppy” and “imprecise.” “You need better clocks,” he replies, and the author does a good job explaining why. Ryan, Volkov, and Cao are all honorable characters with their own trajectories that reconnect in surprising fashion. Readers just might root for all three.

A space yarn filled with tension and excitement.

Pub Date: May 7, 2024

ISBN: 9781324050919

Page Count: 400

Publisher: Norton

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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NEVER FLINCH

Even when King is not at his best, he’s still good.

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Two killers are on the loose. Can they be stopped?

In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.

Even when King is not at his best, he’s still good.

Pub Date: May 27, 2025

ISBN: 9781668089330

Page Count: 448

Publisher: Scribner

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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