Just wonderful.
At the beach, a child waits for a summer friend to arrive.
The book’s narrator, a young child whose skin color varies from kraft-paper brown to graphite-pencil gray, is waiting for Chicken Smith. Every year, Chicken Smith and his father occupy a cabin near the one the narrator’s family stays in. But this year, Chicken is late, and the narrator waits, shell gift in hand, recalling past summer activities: how Chicken can kick a tennis ball from the porch to the beach and his dog, Jelly, will fetch it, and how they go to the lighthouse with Chicken’s binoculars to look for whales. Regularly interrupting these musings, the narrator’s sister, Mary Ann, keeps urging, “Hey! Look!” but the narrator puts her off. Finally Mary Ann yells, “Just hurry up!” and she dashes to the lighthouse, with the narrator following. “There he is!” shouts Mary Ann, and points—to a whale. “Even with binoculars, Chicken Smith and I never saw one,” relates the narrator. As the poignancy of Chicken’s nonarrival settles in (readers see a “Summer RENTAL” sign on his cabin), Mackintosh deftly delivers a satisfying conclusion as the narrator and Mary Ann begin to bond. Mackintosh’s text perfectly captures the timelessness of childhood summer, and his scribbly illustrations (done in pen, pencil, ink, watercolor, and kraft paper) conjure associations of a child’s project sketchbook, the handcrafted look underscored by the old-fashioned-typewriter typeface.
Just wonderful. (Picture book. 3-8)Pub Date: May 14, 2019
ISBN: 978-1-5362-0771-2
Page Count: 32
Publisher: Candlewick
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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