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THE BEAR MUST GO ON

A snort-inducing lesson of both bravery and preparation.

Four woodland animal friends put on a show.

Rabbit, Squirrel, and aptly named Other Squirrel (who has slightly redder fur than Squirrel) are a flurry of activity. They are going to put on a show. “A BIG show.…The BEST show!” It will have hats (tall ones), tickets (shiny ones), and a curtain (red—no, green). There are many decisions to be made. Bear, however, does not want to be part of it. He is too shy. He would prefer to be the note taker. Rabbit, Squirrel, and Other Squirrel fire off ideas, amending one another’s at furious speed, and Bear writes them all down. Scribbles appear in the white space surrounding the boulderlike ursine’s head. The ideas pile up; debut illustrator Todd deftly covers an entire page while Bear hunches in the middle, furiously writing. He hums a tune to keep himself calm. On the night of the performance, everything seems ready. Everything except…the show! They were so bogged down with the details, no one figured out what the show would be. The title gives away the ending from the very start, but Bear’s pluck is nevertheless laudable. Petty’s comedic quips are echoed in the frenzied art, with Bear looming large yet timid to ground it all. Limited, skilled use of panels helps to control the pacing.

A snort-inducing lesson of both bravery and preparation. (Picture book. 4-7)

Pub Date: Feb. 11, 2020

ISBN: 978-1-9848-3747-9

Page Count: 40

Publisher: Philomel

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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