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ON MARRIAGE

A rollicking account about marriage in books, movies, and culture, told with authority and genuine warmth.

A comprehensively researched, wry examination of the many dimensions of marriage and how it has evolved.

Baum begins with the odd assertion that there has not been much intellectual analysis of marriage, and she proceeds to round up the work of philosophers, novelists, filmmakers, and even comedians on the subject. It makes for fascinating reading, and the author punctuates the story with vignettes and commentary about her own marriage, which gives the research a personal touch. She brings an engaging element of humor to the proceedings; in fact, her sense of fun was revealed in her 2017 book, The Jewish Joke. As a professor of literature, she seems to have read everything connected to marriage, from Shakespeare's tragedies to Nora Ephron's novels. She organizes the book in sections dealing with marriage as an ongoing conversation, marriage as entertainment, the religious underpinnings, and the tricky subject of divorce. The institution of marriage goes back centuries, and although it has sometimes been attacked as a way to lock women into a cage of domesticity, it continues to thrive. Matrimony is a life goal for most people and is widely seen as the best structure for a family. A problem is that it is a long-term commitment, and when the early glow of romance fades, the participants realize there is a long road ahead. Some people can travel it successfully, while others cannot. One thing is certain: It never turns out to be like a rom-com; it is always messier and harder and involves more housework. Still, Baum accepts that it is for her (she is married to director and screenwriter Josh Appignanesi), and for many others. Marriage, she concludes, “continues to carry and shape our human story,” and “we are likely to see it remaining with us long into the future, until death do us part."

A rollicking account about marriage in books, movies, and culture, told with authority and genuine warmth.

Pub Date: Oct. 24, 2023

ISBN: 9780300271935

Page Count: 336

Publisher: Yale Univ.

Review Posted Online: July 18, 2023

Kirkus Reviews Issue: Aug. 15, 2023

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FOOTBALL

A smart, rewarding consideration of football’s popularity—and eventual downfall.

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A wide-ranging writer on his football fixation.

Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.

A smart, rewarding consideration of football’s popularity—and eventual downfall.

Pub Date: Jan. 20, 2026

ISBN: 9780593490648

Page Count: 304

Publisher: Penguin Press

Review Posted Online: Oct. 24, 2025

Kirkus Reviews Issue: Dec. 1, 2025

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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