A worldwide whirlwind that misses the mark.
A stuffed animal and a stick travel around the world by mistake.
Huggie, a blue stuffed animal, and Stick, a wooden stick with a face, arms, and legs, fall out of their boy owner’s backpack into the ocean. They narrate in diary entries, taking turns. Stick’s an eternal optimist, cheerful and oblivious, calling pirates “nice guys in super awesome hats.” In contrast, Huggie’s grumpy, realistic, and perpetually annoyed. Spencer’s pen-and-ink–and-digital art is full of sharp lines and angles, emphasizing exaggerated perspectives and expressions. As the accidental adventurers hop from continent to continent, the places they visit fall into disturbing categories. Australia, Asia, and Africa feature wilderness and animals but neither humans nor industrialization, while Europe and North America feature humans, industrialization, and news media. South America (in text, not pictures) has people who use Stick “as a blowgun to shoot at monkeys and sloths all morning.” Such coding breathes new life into old, inexcusable messages about race and culture. Humor for the butt-jokes crowd and playfulness (“sharks are allergic to stuffed animals”) can’t outweigh the deplorable Western-centric attitudes and one massive geographical misstep: The protagonists fall off an African coast on the right-hand side of a spread into the Atlantic. This misleads readers who don’t know geography yet and confuses those who do. (An only-somewhat-clarifying map on the closing endpapers does not mitigate this fault.) Moreover, the suspension of disbelief demanded by the story is so staggeringly large that it’s distancing.
A worldwide whirlwind that misses the mark. (Picture book. 4-7)Pub Date: Oct. 23, 2018
ISBN: 978-0-399-17276-2
Page Count: 40
Publisher: Philomel
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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