Forney’s story should resonate with those grappling with similar issues, while her artistry should appeal to a wide...
For anyone who loves graphic memoir or has concerns about bipolar swings, creativity and medication, this narrative will prove as engaging and informative as it is inspirational.
Since the connection between artistry and mental instability has been well-documented, plenty of those diagnosed with bipolar disorder share the fears articulated in this unflinchingly honest memoir by Forney (I Love Led Zeppelin, 2006, etc.). “I don’t want balance, I want brilliance!” she exclaims during one of her manic phases. “Meds would bring me down!” Taking pride in her membership in “Club van Gogh (The true artist is a crazy artist),” she subsequently suffered from periods of depression that brought her down far lower than medication even could. “During a manic episode, depression seems entirely impossible,” she writes, but depression often made it impossible for her to imagine feeling so good or feeling much of anything beyond a benumbed dread. Forney chronicles her years of therapy, her research into the literature of depression and her trial-and-error experiences with medication—and cocktails of medication—searching for the combination where the benefits outweighed the side effects. She directly confronts the challenge facing anyone trying to monitor and assess her own mental state: “How could I keep track of my mind, with my own mind?” Not only does her conversational intimacy draw readers in, but her drawings perfectly capture the exhilarating frenzy of mania and the dark void of depression. “It was a relief to discover that aiming for a balanced life doesn’t mean succumbing to a boring one,” she writes with conviction.
Forney’s story should resonate with those grappling with similar issues, while her artistry should appeal to a wide readership.Pub Date: Nov. 6, 2012
ISBN: 978-1-59240-732-3
Page Count: 256
Publisher: Gotham Books
Review Posted Online: July 11, 2012
Kirkus Reviews Issue: Sept. 1, 2012
BOOK REVIEW
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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