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ONCE MORE FROM THE TOP

A juicy mystery filled with gossip—and music you can almost hear.

While a singer-songwriter is striving to produce an authentic-sounding album, her best friend from high school is found at the bottom of a lake—dredging up the tragedy behind the music.

Dylan Read is a mega-selling, Grammy Award–winning singer-songwriter whose country roots have evolved into a sort of “bedroom pop” that fans love for its personal and—although she doesn’t like the word—confessional nature. But despite her best efforts, the media accuse her of being fake. In a news article about the cold case of a girl who went missing 15 years ago, the headline gives the detail that Kelsey Copestenke was a classmate of Dylan’s, seemingly milking the flimsy connection between the two for the sake of getting more page views. But what Dylan hasn’t told the press—or even her publicist—is that she owes her career to Kelsey. Beneath the veneer of her success are the people who know Dylan’s secrets: the high school classmates; Kelsey’s brother, Matt; and the boyfriend she hides from the world for fear it’ll wreck their relationship and her career. But one secret is a mystery: what happened to Kelsey. As Dylan goes through each album of her catalog, she flashes back to her high school years in upstate New York with her lost friend, who was forming a musical duo with Dylan when she went missing. “Country music is about relatability,” Dylan says. “Just three chords and the truth, as the saying goes. Pop, on the other hand, traffics in fantasy.” In the story, there’s a balance of both. The flashbacks are entertaining and filled with cringey high school drama. On the less relatable end, Dylan still frets about what the press says about her. But what makes her most interesting is Layden’s respect for the craft of making music, from Dylan’s “fear that tortilla chips might scratch my vocal cords” to Kelsey’s early guitar lessons: “We’re gonna learn four chords and six strumming patterns and you’re gonna have to trust me when I tell you that’s all you need to know.”

A juicy mystery filled with gossip—and music you can almost hear.

Pub Date: Sept. 10, 2024

ISBN: 9780063315099

Page Count: 400

Publisher: Mariner Books

Review Posted Online: April 20, 2024

Kirkus Reviews Issue: May 15, 2024

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INTO THE UNCUT GRASS

A sweet bedtime story.

A boy and his stuffed bear head into the woods.

Having captured readers’ attention with Born a Crime (2016), his bestselling memoir of growing up in South Africa, comedian and television host Noah has written a parable about decision-making. As he puts it in a brief prologue, “It’s about disagreements and difference—but it’s also about how we bridge those gaps and find what matters most, whether we’re parents or kids, neighbors, gnomes, or political adversaries. It’s a picture book, but it’s not a children’s book. Rather, it is a book for kids to share with parents and for parents to share with kids.” With plentiful illustrations by Hahn and in language aimed at young listeners, it tells the story of a small boy so impatient to start his Saturday adventures that he rebels against the rules of his household and heads out without brushing his teeth or making his bed, despite the reminders of his stuffed bear, Walter. “We can’t just run away,” protests the bear. “Your mother will miss you. And where will we sleep? And who will make us waffles?” “We’ll build our own house,” the boy responds. “And we’ll grow our own waffles!” From there, the pair go on their walkabout, encountering a garden gnome, a pair of snails, and a gang of animated coins who have lessons to offer about making choices. Though the author suggests in the introduction that adult readers might enjoy the book on their own, those looking for a follow-up to the memoir or a foray into adult fiction should be warned that this is not that book.

A sweet bedtime story.

Pub Date: Oct. 8, 2024

ISBN: 9780593729960

Page Count: 128

Publisher: One World/Random House

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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  • New York Times Bestseller

A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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