A visual and emotional symphony.
A tiger, with some unusual help, fights off a nightmare.
Tiger’s parents don’t quite believe that the reason she carries extra curry or tacos from the supper table to her bedroom is because she has a monster under her bed, but it’s true. Monster was supposed to scare her long ago, but instead they play together nightly. Then, while Tiger sleeps, Monster scares away Tiger’s horned, multieyed, centipedelike nightmares—until a nightmare with a long-jawed white skull and a changeable, smoky body arrives. It conquers Monster and reaches Tiger. From now on, Tiger and Monster must work together. The plans they implement are brilliant and brave, and their hard-won victory (it takes a few tries) couldn’t be more triumphant, relieving, or empowering. Compositions range from full-bleed spreads to pages holding multiple sequential panels. Using watercolors and pencils, Tetri creates one color-world of inky blues (Monster; nighttime) and another of oranges and yellows (Tiger; daytime). The meanings of each color-world hold nuance and complexity: The nightmares are of the blue world, but so are coziness and small, dear Monster; Tiger’s victory explodes with warm colors like dawn, but she could only achieve it at night. Rich details enhance the setting inconspicuously: Tiger’s parents, also tigers, run a repair shop for flying cars; one parent is Dad while the other is of undesignated gender.
A visual and emotional symphony. (Picture book. 4-8)Pub Date: Nov. 6, 2018
ISBN: 978-1-62672-535-5
Page Count: 64
Publisher: First Second
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
All-in-good-fun Halloween scares.
In NSYNC singer Bass’ debut picture book, trick-or-treaters follow their fearless leader down Scary Street in search of sweets, or so they think.
On Halloween night, a mischievous child dressed as a wolf, reminiscent of Max from Maurice Sendak’s Where the Wild Things Are (1963), leads a large, racially diverse group of costumed children down Scary Street. The youngster, who narrates, proceeds to bring them to a series of creepy fun house–style homes, including a mansion belonging to a menacingly dapper vampire, who offers “toothy snacks” to the terrified-looking trick-or-treaters, and a gingerbread cottage inhabited by a Cruella de Vil–esque witch, who might prefer to bake little children into her house rather than give them treats. Uh-oh. Now there are only four children following the increasingly unreliable narrator, who ominously repeats, “No tricks allowed, just tasty treats.” As it turns out, the narrator does have a trick in store, which completes the scare and brings the story to a happy conclusion. Bass uses a simple, sometimes uneven rhyme pattern that ranges from interesting combinations (missed is rhymed with resist) to more familiar ones (treats/sweets) with a dash of tongue-in-cheek humor. Garrigue’s atmospheric illustrations have a Coney Island sideshow vibe, created with a candy palette that’s both invitingly tasty and garish in just the right way. The narrator, the vampire, and the witch are light-skinned.
All-in-good-fun Halloween scares. (Picture book. 4-8)Pub Date: July 23, 2024
ISBN: 9781454952176
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
Chilling in the best ways.
When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
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