Required reading if you own the first title.
In this sequel to All These Things I’ve Done (2011), 17-year-old Anya Balanchine, heir apparent to the illegal chocolate trade in 2083 New York City, attempts to leave her criminal past behind with mixed results.
After doing time for shooting her cousin after his attempt on her ex-boyfriend Win’s life, Anya tries to distance herself from her deceased father’s black-market business. But when her fragile relationship with Win threatens the campaign of the incumbent district attorney, who also happens to be Win’s father, Anya finds herself fleeing the country to escape further imprisonment. She hides out on a Mexican cacao farm, where she discovers the roots of Balanchine Chocolate and gathers the strength to go back and face the remaining members of her treacherous family. After a sluggish start, the last third of the novel takes off when Anya is confronted with several surprising betrayals and confessions. Zevin’s stilted, formal dialogue and arid prose doesn’t do her hot-blooded mafia story any favors. Still, fans of the first will enjoy the author’s inventive combination of chocolate, crime and politics, as well as finding out Anya’s post-prison fate. Casual browsers should be warned that this is a true sequel that entails a read of the initial installment to make all the necessary connections.
Required reading if you own the first title. (Thriller. 12 & up)Pub Date: Sept. 18, 2012
ISBN: 978-0-374-38074-8
Page Count: 368
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A suspenseful story that starts off with great promise but fails to deliver.
A teenage girl struggles with the question of whom to trust in the age of social media exposure.
Thanks to Connie’s mom’s family vlog, her life is anything but private. She enjoyed it at first, but now, between the mean comments online and the cruel mockery from peers in real life, Connie feels like she’s in a prison. Her sister, Isla, says it’s worth it for the money, but Connie isn’t sure if that’s really true. Connie’s anger over Mom’s refusal to heed warnings that revealing so much puts them in danger continues to build. When she’s left alone for two weeks while Mom and Isla go on a college road trip, local girls start dying, and a fan reaches out on social media in an unsettling way, leaving Connie worried about her safety. White-presenting Connie’s sense of humor is charming, and her insights will earn readers’ sympathy as the tension builds. As emotions rise, Preston’s poetic language beautifully captures Connie’s feelings about her mom’s obsession with social media and her confusion about who is worthy of her trust. The topics of safety and the uncharted waters of social media are skillfully woven into the plot. However, some inconsistencies weaken the overall story: Apart from Connie, the characters are too lightly developed, and some plot points don’t align with earlier events and motivations, making the ultimate revelation a disappointment.
A suspenseful story that starts off with great promise but fails to deliver. (Thriller. 12-18)Pub Date: Dec. 2, 2025
ISBN: 9798217028009
Page Count: 320
Publisher: Delacorte
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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