An ambitious and multifaceted novel that cunningly challenges patriarchy and its consequences.
In Giordano’s debut historical novel, a young aristocrat is whisked away to her new husband’s Caribbean residence, where she discovers that all is not as it seems.
The novel opens in Somerset, England, in 1791. Eliza Hastings is the last unmarried daughter in her wealthy family, as she’s less interested in finding a potential mate than she is in spending time in the library. Her impatient parents arrange a function to which they invite numerous potential suitors, but rather than socialize, Eliza decides to pursue a beautiful moth through the garden. As she does so, she encounters a strange man with “wary green eyes”: Lord Charles Sharpe, a baron and lieutenant colonel of the British Legion. Soon after their first meeting, Sharpe requests Eliza’s hand in marriage, which she uncertainly accepts to get away from her family; they leave for his father’s house in the Bahamas shortly after the wedding ceremony, where Charles plans to put down roots. Even during their passage, something feels wrong. Charles is dismissive of Eliza, and they sleep in separate chambers (although the latter was not uncommon for the aristocracy of the period). Then, after their arrival at their destination, Charles forces himself upon her, finally revealing his violent, domineering character. Eliza is horrified by the presence of slavery on the plantation, and she finds herself a prisoner on the island. Her only pleasure, swimming, is forbidden by Charles, although she regularly disobeys him. Then Eliza’s life changes again when she meets an enigmatic, well-dressed gentleman named Jean Charles de Longchamp, who charms her with his knowledge of literature. In Jean, Eliza finds the possibility of new love and also, perhaps, an opportunity to break free.
This is a compelling series starter with a fascinatingly complex main character. Her driving ambition to escape her patriarchal society’s sexist expectations and experience the world on her own terms proves to be inspiring. Giordano communicates Eliza’s predicament with clarity and elegance: “He represented reason right now when she only wanted to chase after her hazy surroundings, comfortable in wantonness, and her newfound freedom.” Eliza and Charles’ heated conversations about slavery are particularly engaging, as when Eliza says, “I believe that men enjoy dominating others. Whether it is women or their fellow man. There is no moral justification for the trade, and there never shall be.” Charles, however, holds the vile assumptions of his time, gender, and class: “It is the natural order of things, my dear….Do not the strongest animals dominate the weaker ones?” In many respects, Eliza is a woman before her time: a 21st-century progressive feminist who refuses to tolerate Charles’ tiresome 18th-century condescension. This makes for thought-provoking reading; through Eliza’s perspective, readers witness the stark injustices and inequalities of colonial society with clarity. Meanwhile, Giordano produces formal yet amusing descriptive passages that may remind readers of Charlotte Brontë’s work: “An unimpressive corpulent man with red hair stepped forward, possessing ruddy flushed cheeks.” An ambitious and multifaceted novel that cunningly challenges patriarchy and its consequences.Pub Date: Dec. 13, 2022
ISBN: 9798986983400
Page Count: 536
Publisher: Käferhaus Press
Review Posted Online: May 12, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
SEEN & HEARD
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