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THE CHESTERFIELD HOURS

The only unsatisfying feature of Parry’s debut is that it ends.

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This lighthearted, sparkling novel presents the adventures, romantic and otherwise, of a man, his dog, his mother’s ghost and other assorted characters.

Schoolteacher Chesterfield is a man satisfied with life: His parents and his dog are “in super fettle,” his sixth-graders are doing well and he’s happily married. Or so he thinks, until the “one rummy morning” his wife, Deborah, (having grown impatient of Chesterfield’s low pay and despairing of his ever inheriting the perhaps-mythical family fortune) leaves him for newly rich Benedict Hoepplewhite, “mortgage broker, wife-stealer and cur.” This sets in motion a series of events, including an aborted revenge attempt, tenure struggles at Chesterfield’s school, wrongdoings at a fitness club, a new romance with a pretty kindergarten teacher and not a little heroism. Then there’s his mother’s death and reappearance as a ghost, her arrival signaled by the tinkling of ice cubes in her ever-present drink. In these adventures, Chesterfield is joined by “the smashingest girl ever, name of Carrie Hahn, and the stellar dog Daisy, who sniffs out villains a mile away, and the lioness-hearted ‘gym-chick’ Jeanine, who carried the day when I fell wounded, and who made a man of my gormless pal Larry.” Chesterfield—whose American father was “the fightingest blood and guts Marine of his day”—talks like someone out of P.G. Wodehouse. It’s because, he says, his father was always out of the country, while his British mother “spoke the language and ethic that I breathed in: ‘There never was a time like good King Edward’s, dear. For fun, for peace, and for talk. It was Shakespeare and Elizabeth with proper drains and no bear-baiting.’ ” Even in Britain, Chesterfield’s what-ho slang would probably be out of date, but no matter; it’s fun. Chesterfield’s gentlemanly ethic includes not initiating his divorce (“only a swine” would do that) and declining to entrap Hoepplewhite, finally wishing him no harm: “I sensed approval by the good old Anglican deity who made dogs and trout streams, has humour, and stands like a Gentleman mostly out of the way.” Literate, funny and romantic, with amusing comments on American culture, this novel has its heart in the right place.

The only unsatisfying feature of Parry’s debut is that it ends.

Pub Date: Aug. 11, 2015

ISBN: 9780692517543

Page Count: 260

Publisher: Once Upon Avon Press

Review Posted Online: Sept. 12, 2012

Kirkus Reviews Issue: Oct. 15, 2012

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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WARD D

A superior entry in the night-on-the-nightmare-ward genre.

A medical student is assigned an overnight shift to observe a Long Island hospital’s psychiatric ward and help with emergencies. You’d never guess what happens next.

Amy Brenner isn’t even interested in psychiatry, the one medical specialty she’s never considered for her own career. Nor is she interested any more in Cameron Berger, the classmate who ended their relationship so that he could spend more time studying, and she’s not pleased to learn that he’s switched his rotation with another student so he can spend some of the next 13 hours persuading Amy to rekindle their romance. Predictably, Cam will be the least of Amy’s troubles. Apart from Dr. Richard Beck and nurse Ramona Dutton, everyone else on Ward D is much more dangerous, from elderly Mary Cummings, whose knitting needles aren’t plastic but sharpened steel, to William Schoenfeld, who’s stopped taking the medications that were supposed to silence the voices telling him to kill people, to Damon Sawyer, who’s confined in Seclusion One and can’t possibly escape, unless a power outage neutralizes the locks. Most threatening of all is Jade Carpenter, whose close friendship with Amy ended eight years ago when Amy turned her in for what ended up being only one of a whole series of thrill crimes. McFadden measures out the complications, revelations, and betrayals with such an expert hand that readers anxiously trying to figure out whom Amy can trust as her goal shifts from ticking off a toilsome requirement to surviving the night may well end up wondering whom they can trust themselves. And isn’t provoking that kind of paranoia what medical thrillers are all about?

A superior entry in the night-on-the-nightmare-ward genre.

Pub Date: March 4, 2025

ISBN: 9781464227271

Page Count: 320

Publisher: Poisoned Pen

Review Posted Online: Dec. 13, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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