A spot-on look at sibling rivalry that will speak to multiples and singletons alike
New-big-sister dilemmas—times two.
Readers of The Twins’ Blanket (2011) will recognize the two adorable, identical twin girls in their polka-dot dresses (and of course, their striped blanket in the background). The twins have two of nearly everything, but they have only one mom, and this is a big problem. As they fight over whom mom will look at during nap time or whom she’ll push first on the swings, their mother’s bulging belly reveals an even bigger problem: a little sibling on the way. When the baby, who “looks like the bread in a paper bag,” arrives home, there’s suddenly not enough room for the twins on the grown-up bed or anyone to push them on the swings. But when the girls notice the attention they receive for helping with the new baby, their ever present competitiveness turns toward fighting over who’s the better big sister. Always reconciled eventually, the twins decide that the baby is kind of cute and that they don’t mind sharing their mom with her. As the competition to care for the baby continues, maybe their only problem now is that they need another baby sister! Ample white space allows the expressive, patterned artwork, created from prints, colored pencil, watercolor and other media, to show the twins’ range of emotions.
A spot-on look at sibling rivalry that will speak to multiples and singletons alike . (Picture book. 3-6)Pub Date: Aug. 5, 2014
ISBN: 978-0-374-37973-5
Page Count: 40
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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