If Elmore Leonard had gotten a securities license, this is the book he might have written.
In this jaunty follow-up to Big Numbers (2007), a scruffy stockbroker returns to tangle with mobsters, women and his own big mouth.
The good news, as the story opens, is that the hero is in the company of a gorgeous naked lady. The bad news is that she’s pointing a shotgun at him. It’s a typical predicament for Austin Carr, a semi-shady New Jersey financial professional temporarily in charge of Shore Securities while his boss is on vacation. But market fluctuations are the least of Carr’s worries. He’s being extorted into opening a money-laundering account for local crime boss Bluefish; an auditor who was investigating his company has turned up murdered; a fetching state police captain figures he’s the key to her organized-crime probe; and his boss’s mother has been picked up for fixing her church bingo game. Carr is continually getting into trouble over his weakness for breasts, his penchant for self-incriminating statements and his vestigial moral sensibility, which, like an appendix, makes itself felt at inconvenient times. On the plus side, he’s got his noble Mexican buddy Luis, a boyish grin for placating angry females, an occasional glimmer of perceptiveness and a stock salesman’s gift for closing the deal, even with people who are preparing to throw his weighted body into the ocean. The way to read this book is to let the hectic, Byzantine, dubiously motivated plot just roll over you without wondering much about who’s doing what to whom, or why. That way you can relax and enjoy Getze’s punchy dialogue and colorful characters–Bluefish’s henchman Max is an especially pungent creation–and his hilarious hangdog protagonist’s dissolute charm.
If Elmore Leonard had gotten a securities license, this is the book he might have written.Pub Date: March 1, 2008
ISBN: 1-59133-238-9
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
BOOK REVIEW
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.
Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)Pub Date: May 31, 1999
ISBN: 0-06-028077-8
Page Count: 280
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1999
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