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Hail, Cigaros!

A first-rate humorist emerges in this assured, ambitious, and unapologetically entertaining satire.

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Young’s (Faraway Green, 2015) second novel follows an impotent employee sent by his company to tell an island nation that its funding is being cut off only to be ensnared in the schemes of the eccentric, sex-crazed natives.

Prescott Bullard Jr., head of the Federal Cigar Corporation, is furious that his father has for years paid exorbitant prices for third-rate leaf tobacco from the tiny island of Cigaros, despite the father’s long-ago dalliance with a local. The day after his father dies, Bullard vows to correct this, sending Warren Hornsby—a hapless chemist known mostly for developing a “delay cream” for premature ejaculation—to break the news. Hornsby, suffering from an uncooperative member and an unhappy lover, welcomes the distraction, and he’s soon negotiating the island’s difficult terrain (literal, cultural, and otherwise). The large cast includes obsequious and silver-tongued El Presidente, who distrusts Hornsby’s intentions, as well as his Communist, bloodthirsty brother and rival, Raoul, who wants nothing more than to kill Hornsby out of mere principle. For good measure, author Young also throws in a 200-year-old voodoo priest, a dyspeptic general, and a redemptive love interest named Rita Panatella. Young takes clear delight in giving his characters Pynchon-esque names (e.g., Marco Insertaglio) and allowing them ornate, over-the-top language that might be tiring were it not so consistently funny: “But you, oh great swordsman, are known to frequent the Bordello with a regularity that bespeaks great dedication! It is small wonder your men proclaim loudly that they would follow you anywhere! You are usually on your way to the Bordello!” Although some readers may object to the frequency with which Young’s jokes revert to the sexual and scatological, they will nevertheless admire the creativity and surprises that fill his tense, well-crafted plot.

A first-rate humorist emerges in this assured, ambitious, and unapologetically entertaining satire.

Pub Date: Sept. 5, 2015

ISBN: 978-1-329-13654-0

Page Count: 274

Publisher: Mountebank Press

Review Posted Online: Nov. 11, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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