Katie’s back (Katie Meets the Impressionists, p. 148) this time to trip through the world of Renaissance paintings with her new friend, Mona Lisa. When Katie appears inside her painting, Mona Lisa admits she’s lonely and starts to cry. Plucky Katie decides to give her a walking tour through the other paintings to cheer her friend up. The chivalrous hero of St. George and the Dragon is charmed by Mona Lisa’s beauty, but a visit to Botticelli’s Primavera angers the dancing muses, who chase the two new friends away. Eventually, the main character in The Lion of St. Mark and St. George’s dragon lock claws in a fight on the museum floor, which involves the muses, St. George, an angel with a lute, and museum patrons. The fight tickles Mona Lisa’s funny bone. Mayhew’s drawings artfully combine classical reproductions with lively illustrations, in this more sobering trek through art than found in Bjorn Sortland’s Anna’s Art Adventure (p. 889) (Picture book. 4-7)
Pub Date: Sept. 1, 1999
ISBN: 0-531-30177-X
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1999
BOOK REVIEW
Gibberish with meritless pictures. (Picture book. 5-7)
A young girl’s dream takes her on a fantastical adventure.
In what is ostensibly verse, Akley tells of a little girl who has a dream–or perhaps a metaphorical adventure or spiritual awakening–about a gold candlestick. Determined to find the meaning behind it, she embarks on a quest, along the way meeting various preachy animals in different settings. It’s clear that lessons are supposedly being taught, but what exactly that wisdom entails is lost in text that is awkward, lengthy and clichéd. Presented as prose despite the attempted verse, the story fails to generate interest. The accompanying illustrations are unpleasantly colored and amateurish; faces are distorted, and the pictures often deviate from the text. Readers will sense that the girl achieves her quest but will never understand its purpose. Akley claims the story has a basis in the Book of Revelations, but beyond the word “cross” and the possibility of an ever-present shepherd, no actual meaning–religious or secular–is decipherable.
Gibberish with meritless pictures. (Picture book. 5-7)Pub Date: April 13, 2007
ISBN: 978-1-4327-0312-9
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
BOOK REVIEW
In The Palm Of Darkness ($21.00; May 1997; 192 pp.; 0-06-018703- 4): A Cuban writers's intensely imaginative portrait of the extremities of Haitian culture rings some fresh changes on the overfamiliar theme of intellectual arrogance humbled by its collision with ``elemental'' peasant wisdom. Montero subtly builds up a revealing contrast between Victor Griggs, a European herpetologist searching for the remaining specimens of an endangered species of amphibian, and his native guide Thierry Adrien's memories of his family's encounter with the island's ubiquitous spirits. This truly original novel is studded with surprises—not least of which is the concept of a species suddenly and entirely disappearing in a milieu where the living and the dead are known to mingle together more or less matter-of-factly. A refreshingly sophisticated treat. (Author tour)
Pub Date: May 1, 1997
ISBN: 0-06-018703-4
Page Count: 192
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
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