A biblio bias-cut whose shimmer is welcome despite its optimistic shortsightedness.
Once upon a time, there was a prince who felt fabulous only in exquisite gowns.
Prince Sebastian’s parents, like fleets of fairy-tale progenitors before, are myopically focused on getting their kid hitched. Rendezvous with potential brides rattle Sebastian, and not just because he’s only 16 and averse to icky matrimony. It’s because he dresses in couture gowns and is petrified of facing what a reveal would mean to his parents and potential wife. Weary of donning his mother’s duds, he hires Frances, a seamstress with an avant-garde flair. Their friendship quickly evolves as she harnesses her talent and he becomes empowered to make public appearances as his alter ego, Lady Crystallia. When Lady Crystallia becomes a fashion plate du jour—and secrecy verges on revelation—Sebastian and Frances are at a crossroads: can they remain true to themselves, each other, and the world? Wang’s linework has as much movement and play as Crystallia’s frocks, and her palette seamlessly wanders from petit-four brights to the moody darks of an ombre swatch. This is preindustrial Paris, so the cast is white, with the only otherness being class differentiation. Sebastian’s story shouldn’t be taken as a testament to how easy it is for one to reveal one’s true self to one’s parents, particularly if one is LGBTQIAP: Sebastian meets acceptance far too easily, particularly for such a public figure in such a conservative age. Sebastian’s summation of Frances’ aesthetic underscores the ultimate blueprint: fantasy and drama.
A biblio bias-cut whose shimmer is welcome despite its optimistic shortsightedness. (Historical graphic fiction. 12-18)Pub Date: Feb. 13, 2018
ISBN: 978-1-62672-363-4
Page Count: 290
Publisher: First Second
Review Posted Online: Nov. 12, 2017
Kirkus Reviews Issue: Dec. 1, 2017
A fast-paced dip into the possibility of a world without human emotions.
A teenage girl refuses a medical procedure to remove her heart and her emotions.
June lives in a future in which a reclusive Scientist has pioneered a procedure to remove hearts, thus eliminating all “sadness, anxiety, and anger.” The downside is that it numbs pleasurable feelings, too. Most people around June have had the procedure done; for young people, in part because doing so helps them become more focused and successful. Before long, June is the only one among her peers who still has her heart. When her parents decide it’s time for her to have the procedure so she can become more focused in school, June hatches a plan to pretend to go through with it. She also investigates a way to restore her beloved sister’s heart, joining forces with Max, a classmate who’s also researching the Scientist because he has started to feel again despite having had his heart removed. The pair’s journey is somewhat rushed and improbable, as is the resolution they achieve. However, the story’s message feels relevant and relatable to teens, and the artwork effectively sets the scene, with bursts of color popping throughout an otherwise black-and-white landscape, reflecting the monochromatic, heartless reality of June’s world. There are no ethnic or cultural markers in the text; June has paper-white skin and dark hair, and Max has dark skin and curly black hair.
A fast-paced dip into the possibility of a world without human emotions. (Graphic speculative fiction. 12-18)Pub Date: June 13, 2023
ISBN: 9780063116214
Page Count: 304
Publisher: Greenwillow Books
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
BOOK REVIEW
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
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