by Jeremy Bates ‧ RELEASE DATE: Dec. 16, 2014
Bates’ choice to avoid brazen scares makes for an understated horror story that will remind readers what chattering teeth...
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In Bates’ (The Taste of Fear, 2012, etc.) horror novel, a simple excursion into a reputedly haunted forest turns into a nightmare when people start dying in conspicuously unnatural ways.
Ethan Childs, an American teaching English in Tokyo for the last four years, plans to climb Mount Fuji with girlfriend Mel and a few pals. But when a looming storm nixes the outing, Israeli tourists Ben and Nina convince the group to join them on a hike through nearby Aokigahara Jukai. The forest is infamous for an incredibly high number of suicides, reportedly in the hundreds per year, and some believe the ghosts of the dead haunt it. What begins as an unsettling ambience (there are no sounds of animals or any trace of wind) quickly gives way to serious, tangible threats when one of the party members dies from an apparent suicide. Ethan and company are soon lost, and the noises they hear in the woods either confirm the existence of ghosts or, perhaps worse, mean that a murderer is tracking them down. Readers may recognize a slasher-film vibe—people willingly go into the creepy woods—and familiar characters, like the smart friend, Honda, who stays behind and the obnoxious jerk, John Scott, who reaps much of Ethan’s animosity. But Bates’ approach to the story is surprisingly restrained, cultivating impressive frights in the unnerving environment: The trees have “skeletal hands,” for instance, and the forest is so dense that the sky practically disappears on a hike that’s hardly begun. The latter part of the novel becomes a desperate fight for survival as the group runs out of water and is further burdened by both an ailment and severe injury. The story’s ambiguity, however, is retained throughout: No one is sure whether the unseen villain is human or apparition or whether they are simply victims of unfortunate circumstances. Back stories help shape the characters, including Ethan and Mel’s relationship, hampered by possible infidelity, and the protagonist tormented by the death of older brother Gary, killed by a robber. The story, decelerated by its big reveal, loses some of its steam near the end, but the conclusion is potent and not easily anticipated.
Bates’ choice to avoid brazen scares makes for an understated horror story that will remind readers what chattering teeth sound like.Pub Date: Dec. 16, 2014
ISBN: 978-0993764622
Page Count: 440
Publisher: Ghillinnein Books
Review Posted Online: Dec. 18, 2014
Kirkus Reviews Issue: Feb. 1, 2015
Review Program: Kirkus Indie
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by Jeremy Bates
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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