A loving tribute to friendship that proves how one person can influence the life of another.
As a young teacher, Parker is introduced to a deaf child who immediately captures her heart; they communicate with each other beyond a standard language system and forge a friendship that lasts a lifetime.
Parker first met 10-year-old Carlos Louis Salazar at the Utah School for the Deaf in 1964. Deaf since infancy, Salazar charmed the 24-year-old high school teacher with his mischievousness and unique brand of communicating. In addition to signing, he learned at school the complexities of speech and how tongue, teeth and breath affect sounds. He manipulated these tools, virtually re-creating language, to suit his individuality as he connected with others. What some heard as broken speech, incorrect grammar or poor communication skills, Parker perceived as creativity bordering on brilliance. They developed a mother-son relationship grounded in unconditional love that saw them through Salazar’s reckless adolescence, illness and premature death. His brief life forever changed Parker’s notion of language as a limited construct. With her rich, poetic prose that skillfully articulates nuanced emotions and thoughts, Parker does full justice to her friend’s memory. Her book transcends the ubiquitous “me” and “I” of memoir and hovers on the brink of being a compassionate cautionary tale: love as well as you can, look beyond the surface, appreciate your gifts and others’, listen and learn. Though the first chapter opens with Salazar’s death, the author doesn’t dwell on the loss. Instead, she focuses on Salazar’s singular character, his triumphs and missteps and his effect on others. Like a parent, she sometimes overpraises achievements that others might consider ordinary, yet she never excuses his forays into drugs and crime. What broadens Parker’s story from exclusively intimate to universally relatable are her numerous examples of the many ways to communicate: the doctor who limited interactions with Salazar to cold, scientific jargon; the bristly nurse who ruffled her patient’s hair to express affection. Neither resolving nor overly theorizing her experiences, Parker allows readers to glean what they will from her heartfelt story.
A loving tribute to friendship that proves how one person can influence the life of another.Pub Date: Nov. 18, 2011
ISBN: 978-0983629405
Page Count: 213
Publisher: N/A
Review Posted Online: Nov. 17, 2011
Kirkus Reviews Issue: Dec. 15, 2011
Review Program: Kirkus Indie
PROFILES
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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