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THIS CLOSE

STORIES

Another worthy book from a fine writer.

The third book and second story collection from Kane (The Report, 2010, etc.) offers 12 lucid, elegant and immersive stories about interpersonal strains and tensions among lovers, neighbors, children and their parents, and so on.

In "Lucky Boy," a young New Yorker's relationship with his dry cleaner veers from the comforts of mere commerce, and he finds himself cast in the role of catch-playing father figure—until and unless his fiancee, who's colder and more city-savvy, steps in to end it, an intervention he seems both to desire and to dread. In "American Lawn," a Croatian refugee rents garden space in a city backyard during a drought—and exposes a rift between lonely neighbors, devoted to their rivalrous ideas about what neighborliness is and should be, who compete in ever more childish and embarrassing ways for his attention. In the book's most poignant story, "Next in Line," a grieving mother haunts the drug store where an acerbic older woman seems simultaneously to chide her for bad parenting and to predict—with heart-rending accuracy—her toddler's imminent death. "The Essentials of Acceleration" features a 40-year-old woman who never achieved escape velocity. She lives in her hometown, stuck in a way she knows all too well but can't quite acknowledge, alongside her father, a retired professor who stays active and popular despite his gathering infirmities. She's haunted less by the tragedy of her mother's accidental death than by resentment of her father for having, unforgivably, soldiered on afterward. Several of the stories feature inward, dour, private people who simultaneously envy and scorn those who seem to have an easier time of it: the gift of gab, the sunny disposition, the ability to put heartbreak and recrimination behind them, the yen to act rather than merely longing silently and crabbily from the sidelines. The stories are quiet—Kane has little interest in stylistic pyrotechnics, flashy plots or formal play—but they are subtle, persuasive and psychologically complex.

Another worthy book from a fine writer.

Pub Date: March 5, 2013

ISBN: 978-1-55597-636-1

Page Count: 200

Publisher: Graywolf

Review Posted Online: Dec. 15, 2012

Kirkus Reviews Issue: Jan. 1, 2013

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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