Red meat for politics watchers, unsparing in its depiction of a time of torment.
Newsworthy look at the last months of the Trump White House and the first of the Biden administration.
Early in the pages of this hard-hitting account by New York Times reporters Martin and Burns, the Democratic chair of the House Armed Services Committee voices doubt that Donald Trump was interested in or even capable of mounting a coup, adding, “my perception is, he is a fucking moron.” The events of Jan. 6, 2021, told a different story. Trump had never even bothered to pretend that he governed for all Americans, instead cultivating a reactionary, rural, White base and an ethos within the White House that followed “the logic of a protection racket, more or less.” That Joe Biden won while Republicans gained seats in Congress speaks to the ineptitude of Trump and company. Still, as the authors observe, Biden has had difficulty shaping a coherent message, some of it perhaps caused by his initial uncertainty about whether his running mate was right for the job. “During the primary,” write the authors, “Biden privately and repeatedly shared versions of a common observation about [Kamala] Harris: She doesn’t seem to know who she wants to be.” Martin and Burns deliver plenty of news, such as Lindsey Graham’s demand that Trump call off the Capitol rioters or face the invocation of the 25th Amendment. The authors also offer nuanced portraits of some of the key players in this saga: Mitch McConnell, ever exercising a political calculus by which he could deem Trump a “despicable human being” yet twice vote against impeaching him; Kevin McCarthy, so hungry for power that he allowed that Trump bore responsibility for the coup attempt yet rushed to declare fealty to the boss; Lisa Murkowski, who expressed wonder that so many Americans believe the 2020 election was stolen and questions that calculus of McConnell’s, saying of the impeachment vote, “I wish that it had been different.”
Red meat for politics watchers, unsparing in its depiction of a time of torment.Pub Date: May 3, 2022
ISBN: 978-1-982172-48-0
Page Count: 480
Publisher: Simon & Schuster
Review Posted Online: May 2, 2022
Kirkus Reviews Issue: June 1, 2022
A smart, rewarding consideration of football’s popularity—and eventual downfall.
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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