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THE DARK HEART OF EVERY WILD THING

A suspenseful, epic battle between man and pitiless nature.

A hunter seeks both vengeance and inner peace.

Set in the rugged landscape of western Canada, poet Fasano’s debut novel tells the dramatic story of a solo hunter’s Ahab-like pursuit of a formidable mountain lion—“the mind of the wild”—while simultaneously battling his lingering grief over the tragic deaths of his wife and young son. Endangered by his decision to prolong his quest as late autumn turns suddenly to winter, the unnamed narrator’s situation quickly turns dire; he finds himself forced to battle injury, hunger, exhaustion, and his own fear as his role shifts between pursuer and pursued. In the novel’s many vivid descriptive passages, Fasano unashamedly reveals his poetic DNA, describing how “the sun was already casting its lattice against the spruces and opening the thrushes’ throats in the saxifrage” or “the early moon in the chasm above me, dark wings crossing it in the vengeance of their abiding.” Some readers will adore this lush prose; others will find its persistence occasionally aggravating. What should unite them, however, is Fasano’s ability to tell a pulsating story featuring a resolute man, alone in the beautiful but unforgiving wilderness, who must bring to bear all of his resources of endurance and courage merely to survive. The encounter between this determined human and his equally imposing animal adversary is as profoundly psychological as it is intensely physical. As these creatures stalk each other on the snowy mountainside, their deadly dance is complicated by the presence of two other hunters and their pack of hounds. Fasano’s resolution of the taut adventure tale is both surprising and truly satisfying. He enhances the pacing of that story with flashbacks to the narrator’s life with his late wife—a former ballet dancer—and scenes with his son, contrasting the tenderness of their relationship with his tension-filled one with his own father.

A suspenseful, epic battle between man and pitiless nature.

Pub Date: Sept. 1, 2020

ISBN: 978-1-913007-06-5

Page Count: 272

Publisher: Platypus Press

Review Posted Online: June 25, 2020

Kirkus Reviews Issue: July 1, 2020

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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