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EMUS LOOSE IN EGNAR

BIG STORIES FROM SMALL TOWNS

Told with deep affection and respect, a thoroughly engaging “journey down journalism’s blue highways.”

A Peabody and Emmy Award–winning correspondent reports on the indignities, difficulties, delights and occasional triumphs of small-town newspapering.

Newspapers may be dying, but don’t tell that to Muller (Journalism/Univ. of Southern California; Now This: Radio, Television…and the Real World, 2000)—or to the editors of the Guadalupe County Communicator, the Canadian Record, the Mountain Eagle, the Anderson Valley Advertiser, the Canyon Country Zephyr, the Dove Creek Press, the Big Horn County News or the Norwood Post papers, among the many the author visits along her diverting, informative trip. In tough economic times, these newspapers still get by on ads and subscriptions, providing local news for tiny communities who can’t get that information anywhere else. In small towns—there are over 8,000 weeklies in the United States—newspapers still matter. Sometimes the stories are serious: the school superintendent who unilaterally decides to censor books at the high school, the district-attorney candidate who hides a cocaine habit, the child beaten to death by a single mother’s live-in boyfriend, the beloved local doctor arrested for stealing Indian artifacts from public land, or the elected school board that insists on doing business behind closed doors. Sometimes they are complex: the controversy over a newly built, never-occupied, multimillion-dollar detention facility in Montana that pits one town’s paper against the nearby Crow Tribe’s house organ and stirs up longstanding grievances in the land of Custer. More often, the news hole is filled by club doings, guest column or the three staples of local reporting for which Muller offers a delightful lesson in decoding the small-town style: school sports, where mythmaking and hyperbole rule, the obituaries, where euphemism reigns, and the police blotter, where the decision to name names underscores the special burden of small-town editors everywhere—“they have to live there, too.” Very occasionally under threat of violence, more often facing social isolation or financial pressure, these rural journalists’ devotion to truth-telling keeps the First Amendment alive and communities connected in grassroots America.

Told with deep affection and respect, a thoroughly engaging “journey down journalism’s blue highways.”

Pub Date: July 1, 2011

ISBN: 978-0-8032-3016-3

Page Count: 264

Publisher: Univ. of Nebraska

Review Posted Online: May 3, 2011

Kirkus Reviews Issue: May 15, 2011

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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