The bleakest horror story can also be a love story; Armfield deftly illustrates how.
What happens to a marriage when one spouse is no longer the person you married?
Leah and Miri lead a conventional married life of comfortable routine, shared love of movies, and happiness at having found each other. Then Leah, a marine scientist, embarks on a three-week submarine expedition during which things seem to go disastrously wrong, and she and her shipmates disappear for six months at the very bottom of the ocean. Miri’s narrative and excerpts from Leah’s diary of the mission relate their growing awareness—and grudging management—of the changes and relationship losses they both endure as a result of their prolonged separation. When Leah returns home, things do not go as Miri had envisioned; her unanticipated transformation—a terrifying dissolution of her human form into something unfamiliar and strange—challenges Miri’s assumptions about the course of their life together. Structured like the ocean’s levels, deepening and darkening the further one descends, the novel slowly reveals that the horrific situation Leah tolerated may not have not been as accidental as it first seemed. The unearthly circumstances of Leah’s underwater captivity and mutation are horrible enough but take on new meaning in relation to other, more understandable situations Miri has faced in her life: the metamorphosis her mother underwent during a fatal illness and the sometimes-irritating voices she hears constantly emanating from an unseen neighbor’s television. Is Leah's current circumstance just further along the continuum of human understanding of loss and endurance? Launching her book with epigraphs from both Moby-Dick and Jaws, Armfield guides the reader through the liminal spaces in the couple’s lives and approaches them with an occasionally ironic humor.
The bleakest horror story can also be a love story; Armfield deftly illustrates how.Pub Date: July 12, 2022
ISBN: 978-1-250-22989-2
Page Count: 240
Publisher: Flatiron Books
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Doesn’t entirely hang together but still manages to hit the spot.
In an alternate early-20th-century Montreal, sparks fly between the operator of a cat shelter and a reclusive magician.
Agnes Aubert is not kindly disposed toward magicians, especially not after a magical duel blows a hole in the building that housed her and her cat shelter. Unfortunately, finding another spot isn’t easy, so she’s happy to take the reasonably priced location on the Rue des Hirondelles. But that’s before she discovers the building’s owner secretly living in the basement: Havelock Renard, the world’s most powerful magician, who also happens to be allergic to cats. As this decidedly odd couple work out a system for cohabitation, Agnes develops some uncomfortable feelings for Havelock; she also can’t deny her attraction to the police detective who thinks (not entirely incorrectly) that the shelter is a front for the illegal sale of magical Artefacts. In comparison to the carefully constructed universe of her Emily Wildeseries, Fawcett’s worldbuilding and plotting are a bit sloppy; the magical system is not laid out as clearly as more pedantic readers might wish, and there’s one part of Agnes’ quandary that gets resolved in a rushed, not truly believable, way. The book also implausibly suggests that an allergy to cats is curable by exposure (rather than managed by a magical antihistamine, perhaps?). But one has to admire the author’s acumen in finding the absolute sweet spot for a cozy fantasy, after all the other ones set in cafes and adorable little shops. It could seem either twee or a cynical grab at the market, but it’s neither; Fawcett clearly understands the complicated but rewarding relationship between humans and cats. It is also charming to set a story in Montreal, where both brioches and bagels are on offer.
Doesn’t entirely hang together but still manages to hit the spot.Pub Date: Feb. 17, 2026
ISBN: 9780593973257
Page Count: 368
Publisher: Del Rey
Review Posted Online: Nov. 8, 2025
Kirkus Reviews Issue: Dec. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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