A spellbinding fantasy with some moral weight and a meatier narrative than usual, one likely to leave readers quite...
Ross (Some Fine Day, 2015, etc.) conjures an epic of demons and daevas, family, loss, and the turmoil of a kingdom in peril in her second novel.
Nazafareen and her sister, Ashraf, are crossing a frozen mountain range when a wight attacks and takes possession of Ashraf’s body. The experience drives Nazafareen to join the Water Dogs, an elite fighting force that defends the Empire against the incursions of the demonic undead—Druj—by using bound demons, or daevas, against them. These warriors “champion the innocent, protect the powerless, punish the wicked.” Nazafareen’s daeva, Darius, is uncommonly powerful, and the bond they share, both magical and empathic, is at times overwhelming (at one point, Nazafareen muses: “I knew right away where Darius was and what he was doing. It was another side effect of the bond, I’d discovered. I could feel his heart beating…I could shut my eyes and tell you exactly where he was, even if he was hundreds of leagues away”). That connection will be sorely tested, as they race to stop a madman from breaking the chains of every bound demon in the Empire—possibly destroying the kingdom in the process. Nazafareen’s faith will also be tested—faith in herself, her bond with Darius, and the Empire that has long justified the enslavement and mutilation of sentient beings for its own defense. To cap it all off, ancient evil and new ambition are rising to threaten the Empire. This tale’s grand scope is set off beautifully by its intimate start. The story grows wonderfully from such a small seed, and it is the moral and subjective implications of the vastness and impersonality of the Empire that work so well to drive the narrative. The plot builds effectively, and maintains a swift pace. Nazafareen’s initial simplistic motivation, hatred, becomes complicated by her link to Darius, and evolves into something much more intriguing and complex. This transition is helped by the clarity with which the characters are drawn. The immensity of the Empire occasionally threatens to smother the personal tale at the heart of the story, but, like shadows around a candle flame, it never quite manages that feat.
A spellbinding fantasy with some moral weight and a meatier narrative than usual, one likely to leave readers quite satisfied.Pub Date: March 26, 2016
ISBN: 978-0-9972362-1-7
Page Count: 332
Publisher: Acorn Publishing
Review Posted Online: Aug. 1, 2016
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
